Showing posts with label progressive rock. Show all posts
Showing posts with label progressive rock. Show all posts

Sunday, May 24, 2020

Prog Rock and Progressive Activism


Progressive Rock Through the Ages


By: Stewart Brennan

Progressive Rock is one of several experimental genres that evolved out of Rock n Roll in mid 1960’s. It was a purely creative genre that carried at its initial core, reflections of morality, philosophies, political views and the social economic conditions of the times.

The genre had a wide range of influence and emerged in the mid 1960's when record labels allocated more creative control to their artists who began pushing the confines of the twelve bar, 2 to 3-minute Pop / Rock n Roll song structures. The influence of folk, jazz, blues and classical music began finding their way into the experimentation as did the new psychedelic wave which also grew out of the evolution of Pop and Rock n Roll.

Additional elements that contributed greatly to the nature of Progressive Rock was the infusion of more poetic lyrics and or new technology that helped artists produce sounds to bridge their creative ideas for both studio album and onstage performance. The recording studio thus became a place of creative artistic freedom and focus which often involved producing music for listening rather than dancing. In essence, Progressive Rock was based on a fusion of styles, approaches, genres, and creative freedom.


 60's Progressive Rock its Roots and Beginning


Music is placed in descending order of Release Date Starting with Jan of the earliest year and ending with Dec of the last year in the decade. The purpose is to give the music a sense of time and atmosphere for the listener. More music will be added as it becomes available.

The mid 1960’s to the mid 1970’s was a very social and political expressive era that contained a very vocal anti-war and anti-immoral establishment voice. Much of this was expressed through progressive music. In fact, freedom of expression in music was a major factor in carrying the anti-war voice which created enormous pressure on the US government to end their war on Vietnam.


 70’s Progressive Rock 1970 to 1974


Music is placed in descending order of Release Date Starting with Jan of the earliest year and ending with Dec of the last year in the decade. The purpose is to give the music a sense of time and atmosphere for the listener. More music will be added as it becomes available.

Progressive Rock saw a high level of popularity and peaked during this period (1965 to 1975), but it soon faded as the war in Vietnam ended but also because the record labels pushed their artists into producing a more popish sound. One might also argue that between touring and label contractual demands placed on the bands, creative studio time became somewhat limited. Even still, some bands were producing two albums a year and touring which contributed to some of them experiencing burnout requiring an extended break. (The Moody Blues, E.L.P. as examples) The tight, high-pressure conditions certainly played a role in the genre’s fading.

With the Vietnam war at an end, the 1960’s anti war culture had also come to its conclusion leaving only the anti-establishment voice in music which was expressed in its rawist form through Punk Rock and to a lesser degree in heavy metal.


 70’s Progressive Rock 1975 to 1979



Music is placed in descending order of Release Date Starting with Jan of the earliest year and ending with Dec of the last year in the decade. The purpose is to give the music a sense of time and atmosphere for the listener. More music will be added as it becomes available.

Some of the earliest Progressive Rock bands achieved commercial success well into the 1980s by evolving into symphonic pop, arena rock, or new wave bands, but the artistry of the anti-war voice that was prevalent during the early years of Progressive Rock had faded with few exceptions; Pink Floyd’s 1979 album “The Wall” being one of those exceptions.

It’s Important to note that while music became more commercial during the late 1970’s, the music Industry was also under economic pressure to consolidate.

Label Collusion:

In 1984 -85 the big six recording companies “Warner”, “Universal”, “EMI”, “BMG”, “Sony”, and “Polygram” jointly announced that they would adopt CD technology and stop producing Vinyl records within a six-month period following their announcement. Music variety and the political protest voice that connected people, largely disappeared from the airwaves not long after the first era of vinyl production ended. What the major labels pushed on the public through the consolidated and syndicated Pop 40 radio stations was a politically sterilized product that was disconnected from reality. The Music Industry as it was in the 1960’s to early 70’s was gone and was replaced by large entertainment conglomerates which had sister companies directly in the war industries.

So, it’s not surprising that the resulting music pushed by the radio and TV entertainment industry was more and more corporately sterilized and disconnected with political reality during that time period.


1980’s Progressive Rock



Music is placed in descending order of Release Date Starting with Jan of the earliest year and ending with Dec of the last year in the decade. The purpose is to give the music a sense of time and atmosphere for the listener. More music will be added as it becomes available.

Progressive Rock all but disappeared from the public airwaves from the mid 1980’s to the 2000’s due in most part to label consolidation which carried by default, economic and creative constraints, creative control and a subsequent narrow vision of music content.

The years succeeding the 1985 label collusion are regarded by some as the Dark times in Rock music history. Music with political substance began to fade from the corporate controlled airwaves that pushed a disconnected Pop 40 format.

As CD technology allowed the major labels to corner the market, music history from the first vinyl era was mostly put on the shelf and simply not made available with the exception of greatest hits compilations or large revenue generating albums. Fewer labels remained or retained their independence and were bought up or simply went bankrupt leaving fewer doors open for artists to knock on.

As both TV and Radio airwaves came under mega corporate control, the anti-war and political protest voice that was heard in music and news during the mid 60’s to mid 70’s was completely absent by 1990. The 1990’s Progressive Rock era was mostly hidden, although there were some bright spots in the 1990’s for activism in music such as Roger Waters 1992 album “Amused to Death” in which Roger summed up the state of the world brilliantly. Unsurprisingly however, Roger Waters was openly attacked in the corporate media for his expression and opinions within his music.

An interesting observation in parallel with the decline of freedom of expression in music is that the geo-political and economic narrative held by western governments had no checks and balances and thus began to launch wars seemingly without resistance since control of opinion in news and music was under corporate control.

1990’s Progressive Rock (Under Construction)



Music is placed in descending order of Release Date Starting with Jan of the earliest year and ending with Dec of the last year in the decade. The purpose is to give the music a sense of time and atmosphere for the listener. More music will be added as it becomes available.

However, by the mid to late 1990’s, technology once again changed the music playing field as computers, computer programs, the Internet and the home recording studio provided artists with new cost-effective tools to create music and reach an audience without having to knock on closed Industry doors.

The compressed digital music file (mp3) exploded across the internet in 1995 and online record stores such as CD Baby, started by Derek Sivers in 1998, became the way for independent and unsigned artists to sell their music to an international online audience.

Suddenly the technology to make CD’s was available to everyone on the home computer. The compact mp3 format made sharing music by email a unique thing until Napster came along in 1999 and provided a platform for music fans to share their files with each other.

Technology had advanced to the point that it allowed the music contained on old Vinyl records to be digitized onto the home computer. This practice became hugely popular because the music that had not been made available on CD by the big record labels was not only being digitized by music fans but was being shared and burned into CD’s on home computers.

The sharing aspect of Napster (1999 to 2001) was met by both outrage and applause. It sparked great interest by many across the world as old music which had been shelved in the CD era, suddenly became available on the file sharing platform, but most importantly, Napster gave rise to the “International Social Network” where chat rooms became HUGE information sharing hubs that sparked the beginning of the 21st century truth movement.

File sharing and chat rooms on Napster literally tore down the walls of control that the corporate music industry held since the 1985 collusion.

By 2001 iTunes came into existence with a 60 / 40 revenue sharing platform where all artists could sell their music in mp3 format. Internet pages and social networks like YouTube became the new airwaves from 2005 onwards where an explosion of expression and opinion surged once again to breathe new life into all forms of music including Progressive Rock.

It’s also important to mention that the US and UK governments went to war in 2001 and 2003 while the Internet and social communication was in its infancy. However, the Internet was a global online communication platform without censorship in a time, that allowed free speech and opposing political views to emerge. By 2005 through 2008, YouTube became the International platform for free speech, Investigative journalism and music promotion by signed, unsigned and Independent artists. During this period of time, music and ideas went viral as the Internet also provided a platform for Independent Investigative journalism, so the Internet became a place that allowed the anti-war voice to re-emerge while also giving artists a place to express their thoughts through music. The Jeanie was out of the bottle and it connected people all over the world.

Creative experimentation in music returned with a social political awakening that carried a conscience with it, which continued to evolve from 2005 through 2015.

During this period of time, Progressive Rock returned to the spotlight with reflections of morality, philosophies, political views and the social economic conditions of the times. Progressive Rock had come full circle from the 1960’s to the beginning of a new age.


 2000 to 2014 Progressive Rock



Music is placed in descending order by year. More music will be added as it becomes available.

Music expression exploded across the Internet reviving the political voice at a level not heard since the early days of Progressive Rock. Mainstream artists joined in and gave the public a stronger voice. Although I will note that Roger Waters has always been vocal and a champion of the down trodden.

While a new world of music and journalistic freedoms emerged, the corporate entertainment Industry began losing control of their economic and political narrative; so much so that internet free speech championed by investigative journalists and independent musicians along with their followers stopped the US, France and UK governments from going to war on the people of Syria. The anti-war voice proved it was alive and well in the 21st century.


2015 to 2019 Progressive Rock



Music is placed in descending order by year. More music will be added as it becomes available.

Progressive rock had been synonymous with free speech, activism and the anti-war movement in its earlier days (1967 to 1975), so when progressive rock surged in the 2015 to 2019 years, it was due to a growing political enlightenment in the world at large; and it became a global phenomenon.

However, the backlash by the corporate establishment to news and music independence is now rearing its ugly head once again through its censorship of the Internet via the mega corporations that have consolidated their control over the social networks and Internet search engines.

As the World goes through a Corporate and Government imposed lock down in 2020, free speech and freedom of expression have become major targets of a Corporate cartel in collusion with governments across the world. Although we are all victims in this corporate war on humanity, Independent Journalism and Independent music artists are the ones directly affected by the government approved corporate censorship and the corporate directed government shutdown of all society including all entertainment venues. There is no doubt that a prolonged lock down will bankrupt many people including music venues leaving many artists without an income. So, this has become a war of survival between the human community and corporate totalitarianism.

What we do collectively from this day forward will decide the future of free speech in news and music. Humanity will either overcome corporate control to usher in a new millennium of freedom or the boots of corporate tyranny will stomp on the face of humanity till the end of days.

Supporting Independent journalists and artists is crucial to our community’s survival because they carry with them the moral high ground of freedom of speech.

Freedom of speech, is vital to the survival of our democracies.

When we look at Progressive Rock in hindsight, we see it as the evolution of Rock n Roll, and if we conceptualize Rock n Roll in relation to "Progressive Rock", we find that progressive music pushed Rock n Roll into greater complexity while retracing the roots of folk, blues, Jazz and classical music with a postmodernism ideology.

Rock itself can be interpreted as a progressive idea as all sub genres such as Psychedelic & Progressive Rock music have led to the general creation of "Rock"; …and Rock music is an expression of life, our social environment and living conditions.

2020 to 2024 Progressive Rock


The new decade is in lock down, but artists all around the world have stepped up to comfort the initial shock, it will be our turn to help them in return very soon. So, I suggest that readers of this post, go to the artists websites and buy their music and / or merchandise and if possible, support their crowdfunding projects or Patreon accounts. I also suggest supporting Independent journalists for their huge contribution to keeping our communities alive and enlightened with the truth.

Artists can also help themselves by selling their music on Bandcamp. I’ve been promoting Bandcamp as a place for fans to buy an artists music since I first discovered them in 2010. They’ve been around since 2008 but I find it is the “ONLY” online store that works FOR the artist by giving them approximately 85% of all music sales.

In the past 30 days as of this posting, Bandcamp paid artists 22.6 Million US dollars. If you compare this with say a corporate music streaming monster like Spotify who took in over 6.8 Billion Euros in 2019 alone, and gave practically NOTHING back to the artists...well you decide what kind of corporate crime that is…because if that isn’t a crime, then I don’t know what is!


I created World United Music in 2010 as a means to help promote artists so they might gain more attention and possibly earn a living with their music. Nothing has changed as I continue working for as many artists as I can. I hope that you the reader find value in what is written here today and share this post with your online community so that they may discover new music that resonates with them.

The 21st century will prove that we can achieve greater things when we all work together and share the wealth, not only financially but spiritually as well.

Have a great day and enjoy the music.
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This Post is Dedicated to all artists and Investigative journalists who have moved the world out of darkness into the light; with a very special thank you to Roger Waters.

Thank you, Roger, for your brilliant combination of music and lyrics and the compelling way that you speak truth to power. Bless You. ~ Stewart Brennan - World United Music
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Links of Interest:

Music:

Monday, December 31, 2018

Steve Hackett – At the Edge of Light - Album Review



By: Stewart Brennan ~ World United Music ~

“At the Edge of Light” is a new ten track album by Steve Hackett which covers a wide variety of genres and sounds in a progressive experimental matrix.

The album projects, at its core, a concept of morality that is, in my opinion, an awakening of sorts that clearly sees that mankind has strayed from the path in the forest of life to a point where there is darkness surrounding us; while also seeing the light ahead on a path we should be travelling.

The titles of the album’s 10 tracks lend us the intuition of what to expect from this record; from fallen walls of ancient empires to the beasts in our time, to the conflicts within, resolution and peace.

ALBUM: At The Edge Of Light (54:25)

TRACKS
1. Fallen Walls And Pedestals (02:16)
2. Beasts In Our Time (06:21)
3. Under The Eye Of The Sun (07:07)
4. Underground Railroad (06:23)
5. Those Golden Wings (11:20)
6. Shadow And Flame (04:24)
7. Hungry Years (04:34)
8. Descent (04:21)
9. Conflict (02:37)
10. Peace (05:02)

(Album released by record label “Inside Out Music” January 25th, 2019) - Order Album at this link

The music is consciously expressive of the World around us, past and present and comes after months of touring on top of Steve Hackett’s last two albums “Wolflight” (March 27th, 2015) and “The Night Siren” (March 24th, 2017), Two great albums in their own right that also play a part in 2019’s “at the Edge of Light”.

“At the Edge of Light” is just what it implies…it gives the impression of humanity existing at the edge of twilight, racing to catch up with the sun, to shed the cloak of darkness that is quickly consuming the world…while at the same time revealing that there is hope and peace if together, we choose it make it happen.

And so, in this context, here is my review and perception of the 10 tracks on “At the Edge of Light”.

10 Tracks:

01 – Fallen Walls and Pedestals

“At the Edge of Light” continues where the “Night Siren” left off and opens with the sounds of the “Tar”, a Persian instrument shared by many cultures in the Middle East and Caucasus region. The instrument is fitting to express almost empathically the ancient and current conflicts in the cradle of humanity.

The song then moves quickly to thundering drums projecting a storm that leads into an orchestral story of conflict and despair depicted by the brilliant lead guitar expressions of Steve Hackett.

“Fallen Walls and Pedestals” conjures up thoughts and feelings of the dark place the world is in today but also the enormity and the tininess of an ancient fallen empire, both empathically projected through the guitar playing of Steve Hackett.


02 – Beasts in Our Time

“Beasts in Our Time” is a continuation of the first track, “Fallen Walls and Pedestals”, that expresses musically, the ills and evils of our times. It begins with orchestral notes of melancholy that intertwine with expressive lyrics, into an amazing sax solo including Steve Hackett’s stunning guitar work which then breathes life into every turn of the song along with an expressive orchestration. Also, of note is the impeccable drumming, and base playing that carries the flow and tight delivery of a supporting cast that makes this one of the best Progressive Rock songs of the year.

Official Song Stream: Beasts in Our Time



03 – Under the Eye of the Sun

“Under the Eye of the Sun” emerges out from under the blanket of darkness that pervades our world, to bring forth the light of hope in an upbeat, lively and positive musical spirit, that invigorates an empathic reach for the stars…

Steve Hackett reminds us that its not too late to change our fate and that we can vanquish the darkness that covers the Earth if we decide to do it. Such is the power we have within us, one which can also be found all around us in nature.

The song is a choir of upbeat sounds carried by brilliant drumming, vocals and guitar work that shapes the song into a euphoric expression…the music then slows to capture the awe and amazement felt when standing before a cathedral of natural history with the didgeridoo and viola shaping a humble acknowledgement to the waves of truth calling from ancient times. I find the song uplifting and reverent to the soul.

Official Song Stream: Under the Eye of the Sun


04 – Underground Railroad

“Underground Railroad” is truly a fitting song to follow “Under the Eye of the Sun” in that it presents hope for a better world as historically, the “Underground Railroad” was a ray of hope for many, and a lifeline away from the barbaric world of slavery.

The harmonica and dobro guitar at the beginning of the song brings to mind a train whistle and several people hiding in the shade, from the heat of the sun, with elevated levels of adrenalin pumping through them in anticipation of escaping their bondage.

The unmistakable gospel voices of Durga & Lorelei McBroom soon kick in to give the song a real taste of hope and freedom and then moves on to tell its story with a far-off approaching dobro guitar and lyrics that capture the moment…and then just as quickly, the song takes off with a drum kick and dobro buildup that moves into a sophisticated progressive rock collage that musically describes the conflict and struggle people endured. All of which is brilliantly portrayed by the captivating guitar playing of Steve Hackett. The song then concludes with moments of jubilation by choir like vocals and guitar work to then fade to the train simulating dobro guitar, carrying an eerie reminder that the struggle carries on…a brilliant expression in every way.

Official Song Stream: Underground Railroad


05 – Those Golden Wings

“Those Golden Wings” opens with a symphonic portrayal of heaven, as if standing before the creator with a lifetime on display in all its fullness, value and merit…the song moves effortlessly to an acoustic tale with meaningful lyrics that builds into an orchestral accounting with a telling and memorable chorus. The story then continues through Steve Hackett’s captivating lead guitar that expresses the emotional peaks and valley’s in the complicated turns of ones lifetime. Together, they combine with the magical elements of cinematic surround and operatic choir to encompass an expression of a full life lived and on display as part of a greater realm.

I love this song as it blends Classical elements, operatic highs, captivating symphonic expressions, alluring lyrics and Steve Hackett’s brilliant signature lead guitar to build an unbelievably great progressive rock tune. This is classic progressive rock at its finest.


06 – Shadow and Flame

The song “Shadow and Flame” opens with a ping, an Indian sitar and drum with vocals that vibrate an aura of the ancient past, as if part of the old silk road comes back to life from its death to teach us that the answers to the future lay in understanding the past.

The song then moves forward, carried by brilliant drumming that easily shifts a changing tempo with a sitar that is expressive as though telling a story through its notes and vibrations…and always the symphonic surround sounds that emulate concern and immediacy. There are also points within the song that connect to “In the Skeleton Gallery” from “The Night Siren” which then evolves into the sophisticated array of Roger Kings keys and Steve Hackett’s guitar as they weave in and out of each other to the songs end. An amazing tale told through music.


07 – Hungry Years

“Hungry Years” is an upbeat popish tune that at times reminds me of “The Seekers” - “I’ll Never Find Another You” and at other times reminds me of Mike Oldfield’s “Moonlight Shadow”, but it goes where those songs could not. (For all you old school DJ’s out there, that’s a hint 😉)

Wonderful harmonies with a walk down memory lane and a genius solo on lead guitar. Who say’s Steve Hackett can’t do pop?


08, 09, 10 – Descent, Conflict, Peace

The final 3 songs on the album “Descent, “Conflict” and “Peace” can be viewed as three parts of one song that takes us through to the album’s conclusion.

“The Descent” is a dark orchestral march and cinematic descent into the shadows preparing to face the maw of darkness that is eating up all life and spiritual connection to this planet.


 “Conflict” – is coming face to face with the darkness in a determined battle. Engaging orchestral and cinematic soundscapes with an empathic lead guitar emulating the fight for survival and battle to victory.


“Peace” begins with simple piano and vocals to express the end of conflict, the peaceful silence that comes after victory…a victory achieved by our unity to confront the darkness.

In the song, Steve Hackett leaves me with these final thoughts; Trust in your intuition that love always conquers. Face your fears for it is half the battle, as the darkness will dissipate upon your awakening to reveal that the sun does indeed come up the next day and that thinking with your heart is truly the way forward.

A magnificent end to a brilliant album.


Conclusion:

“At the Edge of Light” by Steve Hackett is both an intellectually and spiritually crafted masterpiece of expression told through the empathic vines of music and lyric.”

In my opinion, the album is one of his best if not the best album that Steve Hackett has produced so far, during his solo career.

Some of Steve Hackett’s previous albums such as “Wild Orchids”, “Wolflight” and “The Night Siren” place well on my favourites list, but “At the Edge of Light” for me, tops them all for its well rounded and awakened concept in trying to make the world a better place.

“At the Edge of Light” receives two thumbs up from this old DJ. “A Fantastic album!”

Steve Hackett: At the Edge of Light (Interview)


Album Line-Up:
Steve Hackett – electric & acoustic guitars, 12
strings, dobro, bass, harmonica, vocals
Gulli Briem – drums, percussion
Dick Driver – double bass
Benedict Fenner – keyboards & programming
John Hackett – flute
Roger King – keyboards, programming &
orchestral arrangements
Amanda Lehmann – vocals
Durga McBroom – vocals
Lorelei McBroom – vocals
Malik Mansurov – tar
Sheema Mukherjee – sitar
Gary O’Toole – drums
Simon Phillips – drums
Jonas Reingold – bass
Paul Stillwell – didgeridoo
Christine Townsend – violin, viola
Rob Townsend – tenor sax, flute, duduk, bass
clarinet
Nick D’Virgilio – drums

Steve Hacket’s Official Links:


Friday, July 22, 2016

The Best Music of the Digital Age


Music Variety like it used to be on the Radio, gathered here for you…

Best of 2016


Best of 2015


Best of 2014


Best of 2013


Best of 2012


Best of 2011


Best of 2010


Best of 2009


Best of 2008


Best of 2000 to 2007



*SCROLL DOWN FOR MORE GENRE SPECIFIC MUSIC*

Friday, January 1, 2016

Best Music of 2015: Year in Review


2015 Year in Review


The Best Rock & Alternative Music in 2015


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Best Music of 2016


Legends of Rock


Rock & Alternative – 2010 to 2019 - (553,190 Views)



Soft Rock / Lite Rock – 2010 to 2019 – (465,276 Views)



Folk Rock & Acoustic – 2010 to 2019 – (140,222 Views)



Progressive Rock – 2000 to 2016 – (143,857 Views)



Psychedelic, Alternative Rock, New Wave, Dark Wave – 2000 to 2016 - (51,158 Views)



Hard Rock, Heavy Metal – 2000 to 2016 – (181,711 Views)


Source:

Blues – 2000 to 2016 – (390,975 Views)



Pop Rock & Power Pop – 2000 to 2016 – (53,720 Views)



Southern Rock & Alt Country – 2000 to 2016 – (17,507)



Punk Rock & High Energy Rock n Roll – 2000 to 2016 – (31,319 Views)



New Age Alternative – 1970 to 2016 - (27,680 Views)



Ambient, Electronic, Dream Pop – 2000 to 2016



Classic, New Age Classic



World United Music Promotions



Sunday, November 29, 2015

The Music Revolution



Hi everyone,

Just a quick update to let you know that I have shelved World United Music indefinitely. If I’m able to bring some serious attention to this project in the future, I will certainly return more determined to make a difference because that’s what World United Music has always been about. For the time being, I will be working at World United News where the information demand requires my full attention. I leave music fans with a ton of great music and hope it has helped some of the artists I’ve supported over the past six years. ~ Stewart Brennan

The contents of every music Playlist below can be accessed by clicking on the 3-line square in the top left hand corner of each YouTube Video screen. The Play-lists will automatically stream continuously from whatever point you choose. So sit back and enjoy the music!  

Legends of Rock


Best of 2015 Rock & Alternative



Rock & Alternative – 2010 to 2019 - (552,962 Views)



Soft Rock / Lite Rock – 2010 to 2019 – (461,331 Views)



Folk Rock & Acoustic – 2010 to 2019 – (135,642 Views)



Progressive Rock – 2000 to 2015 – (132,768 Views)



Psychedelic, Alternative Rock, New Wave, Dark Wave – 2000 to 2015 - (48,682 Views)



Hard Rock, Heavy Metal – 2000 to 2015 – (178,475 Views)


Source:

Blues – 2000 to 2015 – (366, 313 Views)



Pop Rock & Power Pop – 2000 to 2015 – (52,772 Views)



Southern Rock & Alt Country – 2000 to 2015 – (15,681)



Punk Rock & High Energy Rock n Roll – 2000 to 2015 – (30,803 Views)



New Age Alternative – 1970 to 2015 - (25,802 Views)



Ambient Electronic Dream Pop – 2000 to 2015



Classic, New Age Classic



World United Music Promotions




The Best Music of 2021

World United Music Promotions

Progressive Rock – (2015 to 2019)

Progressive Rock – (2020 to 2021)

Rhythm and Blues – (2000 to 2019)

Psychedelic, Alternative, New Wave, Dark Wave – (2000 to 2019)

Psychedelic, Alternative, New Wave, Dark Wave – (2020 to 2029)

Rock, Alternative - (2010 to 2019)

Rock, Alternative – (2020 to 2021)

Soft Rock, Lite Rock, Alternative – (2010 to 2019)

Soft Rock, Lite Rock, Alternative – (2020 to 2021)

Pop Rock – (2000 to 2019)

Pop Rock - (2020 to 2021)

Folk Rock, Acoustic – (2010 to 2019)

Folk Rock, Acoustic – (2020 to 2021)

Hard Rock, Heavy Metal – (2000 to 2019)

Punk Rock, High Energy Rock n Roll – (2000 to 2019)

Southern Rock, Alt Country – (2000 to 2019)

Classic, New Age Classic

New Age Alternative

Ambient, Electronic, Relaxation

Music for the Revolutionary Mind