Showing posts with label Roger Waters. Show all posts
Showing posts with label Roger Waters. Show all posts

Sunday, May 24, 2020

Prog Rock and Progressive Activism


Progressive Rock Through the Ages


By: Stewart Brennan

Progressive Rock is one of several experimental genres that evolved out of Rock n Roll in mid 1960’s. It was a purely creative genre that carried at its initial core, reflections of morality, philosophies, political views and the social economic conditions of the times.

The genre had a wide range of influence and emerged in the mid 1960's when record labels allocated more creative control to their artists who began pushing the confines of the twelve bar, 2 to 3-minute Pop / Rock n Roll song structures. The influence of folk, jazz, blues and classical music began finding their way into the experimentation as did the new psychedelic wave which also grew out of the evolution of Pop and Rock n Roll.

Additional elements that contributed greatly to the nature of Progressive Rock was the infusion of more poetic lyrics and or new technology that helped artists produce sounds to bridge their creative ideas for both studio album and onstage performance. The recording studio thus became a place of creative artistic freedom and focus which often involved producing music for listening rather than dancing. In essence, Progressive Rock was based on a fusion of styles, approaches, genres, and creative freedom.


 60's Progressive Rock its Roots and Beginning


Music is placed in descending order of Release Date Starting with Jan of the earliest year and ending with Dec of the last year in the decade. The purpose is to give the music a sense of time and atmosphere for the listener. More music will be added as it becomes available.

The mid 1960’s to the mid 1970’s was a very social and political expressive era that contained a very vocal anti-war and anti-immoral establishment voice. Much of this was expressed through progressive music. In fact, freedom of expression in music was a major factor in carrying the anti-war voice which created enormous pressure on the US government to end their war on Vietnam.


 70’s Progressive Rock 1970 to 1974


Music is placed in descending order of Release Date Starting with Jan of the earliest year and ending with Dec of the last year in the decade. The purpose is to give the music a sense of time and atmosphere for the listener. More music will be added as it becomes available.

Progressive Rock saw a high level of popularity and peaked during this period (1965 to 1975), but it soon faded as the war in Vietnam ended but also because the record labels pushed their artists into producing a more popish sound. One might also argue that between touring and label contractual demands placed on the bands, creative studio time became somewhat limited. Even still, some bands were producing two albums a year and touring which contributed to some of them experiencing burnout requiring an extended break. (The Moody Blues, E.L.P. as examples) The tight, high-pressure conditions certainly played a role in the genre’s fading.

With the Vietnam war at an end, the 1960’s anti war culture had also come to its conclusion leaving only the anti-establishment voice in music which was expressed in its rawist form through Punk Rock and to a lesser degree in heavy metal.


 70’s Progressive Rock 1975 to 1979



Music is placed in descending order of Release Date Starting with Jan of the earliest year and ending with Dec of the last year in the decade. The purpose is to give the music a sense of time and atmosphere for the listener. More music will be added as it becomes available.

Some of the earliest Progressive Rock bands achieved commercial success well into the 1980s by evolving into symphonic pop, arena rock, or new wave bands, but the artistry of the anti-war voice that was prevalent during the early years of Progressive Rock had faded with few exceptions; Pink Floyd’s 1979 album “The Wall” being one of those exceptions.

It’s Important to note that while music became more commercial during the late 1970’s, the music Industry was also under economic pressure to consolidate.

Label Collusion:

In 1984 -85 the big six recording companies “Warner”, “Universal”, “EMI”, “BMG”, “Sony”, and “Polygram” jointly announced that they would adopt CD technology and stop producing Vinyl records within a six-month period following their announcement. Music variety and the political protest voice that connected people, largely disappeared from the airwaves not long after the first era of vinyl production ended. What the major labels pushed on the public through the consolidated and syndicated Pop 40 radio stations was a politically sterilized product that was disconnected from reality. The Music Industry as it was in the 1960’s to early 70’s was gone and was replaced by large entertainment conglomerates which had sister companies directly in the war industries.

So, it’s not surprising that the resulting music pushed by the radio and TV entertainment industry was more and more corporately sterilized and disconnected with political reality during that time period.


1980’s Progressive Rock



Music is placed in descending order of Release Date Starting with Jan of the earliest year and ending with Dec of the last year in the decade. The purpose is to give the music a sense of time and atmosphere for the listener. More music will be added as it becomes available.

Progressive Rock all but disappeared from the public airwaves from the mid 1980’s to the 2000’s due in most part to label consolidation which carried by default, economic and creative constraints, creative control and a subsequent narrow vision of music content.

The years succeeding the 1985 label collusion are regarded by some as the Dark times in Rock music history. Music with political substance began to fade from the corporate controlled airwaves that pushed a disconnected Pop 40 format.

As CD technology allowed the major labels to corner the market, music history from the first vinyl era was mostly put on the shelf and simply not made available with the exception of greatest hits compilations or large revenue generating albums. Fewer labels remained or retained their independence and were bought up or simply went bankrupt leaving fewer doors open for artists to knock on.

As both TV and Radio airwaves came under mega corporate control, the anti-war and political protest voice that was heard in music and news during the mid 60’s to mid 70’s was completely absent by 1990. The 1990’s Progressive Rock era was mostly hidden, although there were some bright spots in the 1990’s for activism in music such as Roger Waters 1992 album “Amused to Death” in which Roger summed up the state of the world brilliantly. Unsurprisingly however, Roger Waters was openly attacked in the corporate media for his expression and opinions within his music.

An interesting observation in parallel with the decline of freedom of expression in music is that the geo-political and economic narrative held by western governments had no checks and balances and thus began to launch wars seemingly without resistance since control of opinion in news and music was under corporate control.

1990’s Progressive Rock (Under Construction)



Music is placed in descending order of Release Date Starting with Jan of the earliest year and ending with Dec of the last year in the decade. The purpose is to give the music a sense of time and atmosphere for the listener. More music will be added as it becomes available.

However, by the mid to late 1990’s, technology once again changed the music playing field as computers, computer programs, the Internet and the home recording studio provided artists with new cost-effective tools to create music and reach an audience without having to knock on closed Industry doors.

The compressed digital music file (mp3) exploded across the internet in 1995 and online record stores such as CD Baby, started by Derek Sivers in 1998, became the way for independent and unsigned artists to sell their music to an international online audience.

Suddenly the technology to make CD’s was available to everyone on the home computer. The compact mp3 format made sharing music by email a unique thing until Napster came along in 1999 and provided a platform for music fans to share their files with each other.

Technology had advanced to the point that it allowed the music contained on old Vinyl records to be digitized onto the home computer. This practice became hugely popular because the music that had not been made available on CD by the big record labels was not only being digitized by music fans but was being shared and burned into CD’s on home computers.

The sharing aspect of Napster (1999 to 2001) was met by both outrage and applause. It sparked great interest by many across the world as old music which had been shelved in the CD era, suddenly became available on the file sharing platform, but most importantly, Napster gave rise to the “International Social Network” where chat rooms became HUGE information sharing hubs that sparked the beginning of the 21st century truth movement.

File sharing and chat rooms on Napster literally tore down the walls of control that the corporate music industry held since the 1985 collusion.

By 2001 iTunes came into existence with a 60 / 40 revenue sharing platform where all artists could sell their music in mp3 format. Internet pages and social networks like YouTube became the new airwaves from 2005 onwards where an explosion of expression and opinion surged once again to breathe new life into all forms of music including Progressive Rock.

It’s also important to mention that the US and UK governments went to war in 2001 and 2003 while the Internet and social communication was in its infancy. However, the Internet was a global online communication platform without censorship in a time, that allowed free speech and opposing political views to emerge. By 2005 through 2008, YouTube became the International platform for free speech, Investigative journalism and music promotion by signed, unsigned and Independent artists. During this period of time, music and ideas went viral as the Internet also provided a platform for Independent Investigative journalism, so the Internet became a place that allowed the anti-war voice to re-emerge while also giving artists a place to express their thoughts through music. The Jeanie was out of the bottle and it connected people all over the world.

Creative experimentation in music returned with a social political awakening that carried a conscience with it, which continued to evolve from 2005 through 2015.

During this period of time, Progressive Rock returned to the spotlight with reflections of morality, philosophies, political views and the social economic conditions of the times. Progressive Rock had come full circle from the 1960’s to the beginning of a new age.


 2000 to 2014 Progressive Rock



Music is placed in descending order by year. More music will be added as it becomes available.

Music expression exploded across the Internet reviving the political voice at a level not heard since the early days of Progressive Rock. Mainstream artists joined in and gave the public a stronger voice. Although I will note that Roger Waters has always been vocal and a champion of the down trodden.

While a new world of music and journalistic freedoms emerged, the corporate entertainment Industry began losing control of their economic and political narrative; so much so that internet free speech championed by investigative journalists and independent musicians along with their followers stopped the US, France and UK governments from going to war on the people of Syria. The anti-war voice proved it was alive and well in the 21st century.


2015 to 2019 Progressive Rock



Music is placed in descending order by year. More music will be added as it becomes available.

Progressive rock had been synonymous with free speech, activism and the anti-war movement in its earlier days (1967 to 1975), so when progressive rock surged in the 2015 to 2019 years, it was due to a growing political enlightenment in the world at large; and it became a global phenomenon.

However, the backlash by the corporate establishment to news and music independence is now rearing its ugly head once again through its censorship of the Internet via the mega corporations that have consolidated their control over the social networks and Internet search engines.

As the World goes through a Corporate and Government imposed lock down in 2020, free speech and freedom of expression have become major targets of a Corporate cartel in collusion with governments across the world. Although we are all victims in this corporate war on humanity, Independent Journalism and Independent music artists are the ones directly affected by the government approved corporate censorship and the corporate directed government shutdown of all society including all entertainment venues. There is no doubt that a prolonged lock down will bankrupt many people including music venues leaving many artists without an income. So, this has become a war of survival between the human community and corporate totalitarianism.

What we do collectively from this day forward will decide the future of free speech in news and music. Humanity will either overcome corporate control to usher in a new millennium of freedom or the boots of corporate tyranny will stomp on the face of humanity till the end of days.

Supporting Independent journalists and artists is crucial to our community’s survival because they carry with them the moral high ground of freedom of speech.

Freedom of speech, is vital to the survival of our democracies.

When we look at Progressive Rock in hindsight, we see it as the evolution of Rock n Roll, and if we conceptualize Rock n Roll in relation to "Progressive Rock", we find that progressive music pushed Rock n Roll into greater complexity while retracing the roots of folk, blues, Jazz and classical music with a postmodernism ideology.

Rock itself can be interpreted as a progressive idea as all sub genres such as Psychedelic & Progressive Rock music have led to the general creation of "Rock"; …and Rock music is an expression of life, our social environment and living conditions.

2020 to 2024 Progressive Rock


The new decade is in lock down, but artists all around the world have stepped up to comfort the initial shock, it will be our turn to help them in return very soon. So, I suggest that readers of this post, go to the artists websites and buy their music and / or merchandise and if possible, support their crowdfunding projects or Patreon accounts. I also suggest supporting Independent journalists for their huge contribution to keeping our communities alive and enlightened with the truth.

Artists can also help themselves by selling their music on Bandcamp. I’ve been promoting Bandcamp as a place for fans to buy an artists music since I first discovered them in 2010. They’ve been around since 2008 but I find it is the “ONLY” online store that works FOR the artist by giving them approximately 85% of all music sales.

In the past 30 days as of this posting, Bandcamp paid artists 22.6 Million US dollars. If you compare this with say a corporate music streaming monster like Spotify who took in over 6.8 Billion Euros in 2019 alone, and gave practically NOTHING back to the artists...well you decide what kind of corporate crime that is…because if that isn’t a crime, then I don’t know what is!


I created World United Music in 2010 as a means to help promote artists so they might gain more attention and possibly earn a living with their music. Nothing has changed as I continue working for as many artists as I can. I hope that you the reader find value in what is written here today and share this post with your online community so that they may discover new music that resonates with them.

The 21st century will prove that we can achieve greater things when we all work together and share the wealth, not only financially but spiritually as well.

Have a great day and enjoy the music.
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This Post is Dedicated to all artists and Investigative journalists who have moved the world out of darkness into the light; with a very special thank you to Roger Waters.

Thank you, Roger, for your brilliant combination of music and lyrics and the compelling way that you speak truth to power. Bless You. ~ Stewart Brennan - World United Music
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Links of Interest:

Music:

Tuesday, September 18, 2018

The Minstral Show – (Episode 057)




An awesome lineup of music today that sails the seas of deep personal thoughts and experience featuring; Phoebe Bridgers, Kane Miller, Peter Case, JD McPherson, David Bowie, Roger Waters, Marqui Adora, David Crosby, John Lodge, Joe Bonamassa, and Great Lake Swimmers.

More than just a podcast, World United Music has emerged to bring you the best music being made in the 21st century by signed, unsigned and Independent artists.

To all the Artists, be sure to share the podcast episode with your network as it helps bring attention not only to your work but to the work of others as well. That's what the “World United Music” project is all about, bringing attention to all the artists who make great music.

SET: 01


Phoebe Bridgers opens the first set with “Funeral” taken from her 2017 album “Stranger in the Alps”. 

Funeral is a very emotive and powerful song about a teen having to deal with the reality of death while also dealing with her own depression. The lyrics are real and connect on a level that most of can identify with…Truly, A very hard hitting song of life that breaks down the emotional defenses due to its realism and shared experience.

Kane Miller from Lakefield, Ontario, Canada follows with his Aug 31st 2018 single “All We Need”. A light acoustic song with harmonic vocal blends that express the deep feelings of trying to hold onto a relationship that is drifting in a different direction. A song that would have no problem fitting in with Jim Croce and James Taylor. Big thumbs up to Kane Miller.

Peter Case follows with “Ain’t Gonna Worry No More” taken from his 2007 album “Let Us All Praise Sleepy John”. “Ain’t Gonna Worry No More” brings visualization and understanding to a time in history seen through the eyes of the artist as life and events are conveyed through exceptional lyrics and a comforting acoustic safety blanket…a truth tellers tune that engages the listener from the first note…one can almost see the engaged audience silently reflecting around a camp fire…

JD McPherson closes the set with “Precious” taken from his 2015 Album “Let the Good Times Roll”. A song about love and the overwhelming grace of its healing powers. The Magic of “The Platters”, “Sam Cooke” and “The Drifters” come racing back, when I hear this amazing retro 50’s song. It is powerful tune that’s soulfully engaging…it’s hard not to sing along to a song as good as this.


And so, a set of very real and emotionally impacting music coming at you, on the Minstral show.

SET: 02


David Bowie opens the second set with “Lazarus” taken from his January 2016 album “Black Star”. I have to admit, I grieved for 3 days after David Bowie passed away and like all his fans, I never knew the pain that he went through as a Star which he revealed through the videos he made for the album…”Lazarus” in particular shows us what was going through David Bowie’s mind before he died. He was a creative genius right up to his death as the Video for the song attests. Simply brilliant and sobering at the same time.

Roger Waters follows with three songs from his 2017 album “Is this the Life We Really Want”. I believe the songs are meant to be played together starting with “Wait for Her”, then “Oceans Apart” and ending with “Part of Me Died” The songs are poetically expressive and telling of a persons respect for life and then the grief and anger one feels at a world gone insane forgetting its commitment to morality where one cannot go back to sleep once awake to the lies that were sold by evil beings. Roger Waters is a true artist and poet with a voice for the voiceless…

Marqui Adora closes the set with “Away” taken from their 2006 album “White Buildings”.

“Away” Seeks to find an answer or a way to end the dark clouds that hang over us when facing difficult times…we call out to consciousness to help us.


And so, David Bowie, Roger Waters and Marqui Adora help us to connect the dots in what really matters, on the Minstral show.

SET: 03


Continuing on the theme from the last set, David Crosby opens the final set with “Dangerous Night” taken from his 2014 album “Croz”. We truly live in dangerous times with a world turned upside down for profit and so “Dangerous Night” expresses our collective thoughts, anguish and worries on the issues we face when seeing the nightmares we have awakened to.

John Lodge follows with “Get Me Out of Here” taken from his 2017 live album “The 10,000 light years Tour”. The song is about being aware of loosing love while facing ones fears in an uncertain future. An excellent solo effort by the Moody Blues icon John Lodge. Incidentally, John is touring North America in October 2018 so be sure to check out his website for more details.

The king of rockin blues, Joe Bonamassa follows with the title track to his Sept 2018 album “Redemption”. Joe’s new album is truly one of his finest to date and that’s, saying a lot. If you subscribe to his website and youtube channel, you’ll be privy to lot’s of great music in what is a good solid active music channel.

About the song, well, Many of us have been there, Down and out and looking for redemption. An excellent rockin blues tune by the master, Joe Bonamassa.

Great Lake swimmers close the set with “Visions of a Different World” taken from their Sept. 03rd 2018 album “The Waves, The Wake”. Anthony Dekker creates a harmonic vocal masterpiece to express his vision and hope for a different world”. A very soothing song done without instruments…when we listen to the universe, empathic melodic thoughts form in harmony to gently touch the soul…and bring peace of mind…that is “Visions of a Different World”.

Be sure to support the artists by going to their official websites, buying their music and joining their email platforms. Details are in the episode description.

And So, As we pass through Dangerous Nights, get me out of here to find Redemption and Visions of a Different World, on the Minstral Show. See you next week everybody.

The Minstral Show – (Episode 057)


SONGS:

SET 01
Phoebe Bridgers – Funeral
Kane Miller – All We Need
Peter Case – Ain’t Gonna Worry No More
JD McPherson – Precious (Live)

SET 02
David Bowie – Lazarus
Roger Waters – Wait for Her, Oceans Apart, Part of Me Died
Marqui Adora – Away

SET 03
David Crosby – Dangerous Nights
John Lodge – Get Me Out of Here
Joe Bonamassa – Redemption
Great Lake Swimmers – Visions of a Different World

ALSO:

Be sure to support the artists by going to their official websites, buying their music and joining their email platforms. (See Details below.)

ARTIST LINKS:


The World United Music Podcast was carried on 11 different platforms including Anchor FM, Spotify, Apple Podcasts, Pocket Casts, Radio Public, Castbox, Breaker, Google Podcasts, Overcast, PodBean and of course on our World United Music Blog. You can still find the show on Breaker & PodBean linked below. Hey, “Catch the Wave!”

PodBean

Catch the Wave!

Sunday, June 17, 2018

The Minstral Show – (Episode 048)




Good music often provokes thoughts of the past within to bring us back in time to places, faces and atmosphere of moments we hold in our memories…and While our minds are carried away by the music, we also process thoughts and moments to help make sense of where we were, where we are and where we are going in life. Today’s episode offers an awesome lineup of artists with songs that examine some of those thoughts and some of our questions to life, featuring; Old Sea Brigade, Lonely Robot, Parker BOMBSHELL, Dave Kerzner, John Palmer, Hiromitsu Agatsuma, Roger Waters, Darrel Treece-Birch, First Aid Kit, Raise Hell Over the Summer, Black out Mechanics, and James Harker.

More than just a podcast, World United Music has emerged to bring you the best music being made in the 21st century by signed, unsigned and Independent artists.

To all the Artists, be sure to share the podcast episode with your network as it helps bring attention not only to your work but to the work of others as well. That's what the “World United Music” project is all about, bringing attention to all the artists who make great music.

SET: 01

Atlanta raised and Nashville based singer songwriter Ben Cramer is “Old Sea Brigade” who starts off this week’s episode with the title track to his January 2017 EP “Wash Me Away”. A song that questions our living in the fast lane and how we might view our lives 20 years down the road when we begin to look back at what once seemed important to us.

UK’s John Mitchell is the “Lonely Robot” who follows with “In Floral Green” taken from his April 2017 album “The Big Dream”. A captivating song that examines our disconnectedness with each other and our feelings of isolation in these modern times.

Parker BOMBSHELL follows with “Dust taken from their 2014 EP “Hours Down”. “Dust” is our origin and our destiny yet while we live on the Earth we are conscious beings trying to stave off our own destruction in our everyday existence. A great tune and one of my favourites by Parker BOMBSHELL.

Dave Kerzner follows with “My Old Friend” taken from his brilliant 2014 album “New World”

My Old Friend comes to us in quiet moments, where our thoughts and beliefs sometimes cross over to a conscious realm where those no longer among us dwell and connect in our minds...sometimes, those thoughts may also be an older copy of oneself...My Old friend is that intimate conversation.


And so, its time for more music to reflect on, as the waves Wash us away in floral green dust to visit old friends, on the Minstral show.

SET: 02

Sculpter, artist and musician John Palmer kicks off the second set of music with “Clotchley Road” a single he released in Dec 2015. The song looks back in time to a comforting place packed with memories that most of us can certainly identify with in our own past…for John Palmer it is “Clotchley Road” for me it’s St. Catherine Street in Montreal.

There are many Genres present in this really great blend of music that should appeal to New Wave, Dream Pop, Club Dance, Alternative Rock and Psychedelic rock fans alike as the song captivates the senses and takes us on a trip down memory lane.

Japanese artist, Hiromitsu Agatsuma follows with “Yuudachi” taken from his 2001 album “Agatsuma” This song captures the determination and urgency felt within as we look back on reality and life spinning away from us. A brilliant instrumental brimming with energy and the rose called life.

Roger Waters follows with a live performance of “Comfortably Numb” taken from his 2015 Live performance of “The Wall”…a masterpiece from the past that reconnects to the present day with a guitar solo that is out of this world…simply stunning and very relevant.

Darrel Treece-Birch continues the journey with “Riding the Waves” taken from his 2016 album “No More Time”. In short, this upbeat progressive rock Instrumental takes the listener to a place of reassurance and positive reflection. A reminder to us that all that life is a gift and a blessing, so why not ride the waves while you’re here on Earth.


And so, we ride the waves and our memories…to process life with all its lessons, good and bad on the minstral show.

SET: 03

Sweden’s “First Aid Kit” starts off the final set with “Wolf” taken from their 2012 album "The Lion's Roar". The Duo is made up of sisters Klara and Johanna Söderberg who remind me a little of Moma Cass Elliot, and Michelle Phillips of the Moma’s and Popa’s. Certainly, their vocals are very close as their song “Wolf” will attest. I’d love to hear these girls cover one of the Moma’s & Popa’s songs just to see how vocally close they really are…

New York, NY’s Curtis Williams, Kenny Woodson, Mark Brown, and Nic Bucholtz are “Raise Hell Over the Summer” or RHOTS for short with an infectious Psychedelic dark wave rock tune “High School Weight” taken from their 2017 EP, Songs from YouTube. Hey, schools out and so, “Raise Hell Over the Summer”

Alternative Rock Duo Hugo Legrand & Raphael Coville from Vannes France are the “Black Out Mechanic’s” with their song “Stay on the Top” taken from their 2014 - 3 song EP “Unplugged”. “Stay on the Top” is a hypnotic track that seemingly rides out of a stormy dream state into safety and asylum…A solid tune by Black Out Mechanics.

The UK’s James Harker closes the set with “Swanbourne” taken from his 2015 album The Ebb & Flow. Swanbourne is a very deep meaning and poetic song that wonders and asks, are we all hidden in time amongst the billions of actors on the stage, all vying for unique meaning and prescience in our linear history? A very fitting song to close the set…of course everyone is unique and capable of great deeds, just go out and be yourself and don’t worry what others think…
Be sure to support the artists by going to their official websites, buying their music and joining their email platforms. Details are in the episode description.

And so, music becomes an old friend when processing past moments to help build a stronger foundation that continues our journey on firmer ground…just remember, you are significant and an important connection to the many people you touch…have a great week everyone!

The Minstral Show – (Episode 048)


SONGS:

SET 01
Old Sea Brigade – Wash Me Away
Lonely Robot – In Floral Green
Parker BOMBSHELL – Dust
Dave Kerzner – My Old Friend

SET 02
John Palmer – Cloudesley Road
Hiromitsu Agatsuma – Yuudachi
Roger Waters – Comfortably Numb
Darrel Treece-Birch – Riding the Waves

SET 03
First Aid Kit – Wolf
Raise Hell Over the Summer – High School Weight
Black out Mechanics – Stay on the Top
James Harker - Swanbourne

ALSO:

Be sure to support the artists by going to their official websites, buying their music and joining their email platforms. (See Details below.)

ARTISTS LINKS:


The World United Music Podcast was carried on 11 different platforms including Anchor FM, Spotify, Apple Podcasts, Pocket Casts, Radio Public, Castbox, Breaker, Google Podcasts, Overcast, PodBean and of course on our World United Music Blog. You can still find the show on Breaker & PodBean linked below. Hey, “Catch the Wave!”

Catch the Wave!

Sunday, April 15, 2018

The Minstral Show - (Episode 040)



Welcome to episode 40 of "The Minstral Show"!

After a long difficult week in the Geopolitical arena, its important to shed the build-up of negative emotional energy that is brought on by having to battle against the insolent insanity of our out of control establishment.

Music is one of the best ways I know to help me prepare emotionally and mentally for whatever is to come down the road and so, I’ve put together a program with three solid sets of music to do just that, featuring, New Model Army, Riverside, Matthew Perryman Jones, Steve Hackett, Darling & Co, Julian Lennon, Great Lake Swimmers, Darrel Treece-Birch, and Roger Waters. Have a listen and if it resonates share it with your friends.

SET: 01

First up is Bradford UK Band, New Model Army with “Winter” taken from their 2016 album of the same name…

The first time I heard this song, it made me think of “The Game of Thrones” yet the song also contained the dark atmosphere of the times we were living in and surely the dark times we are living in today 2018…what better way to lead off the show because in order to heal our essence and absolve our fears, we must face the winter in our lives and walk through it. New Model Army are, Justin Sullivan, Michael Dean, Dean White, Marshall Gill, and Keri Monger.

Following New Model Army comes the contemplative sounds of “Riverside” and their song “Time Travelers” taken from their 2015 album “Love, fear and the Time Machine”…an instant classic in my mind as “Time Travellers” connects us through music and lyric to weave a deep meaningful understanding of reality and the times we live in…the song is a wonderful escape and reflection that’s difficult not to sing…”let’s go back to the world that was 30 years ago, let’s believe this is our time”. Mariusz Duda, Piotr Kozieradzki and Jacek Melnicki are Riverside…Riverside also has a new album in the works due for release in 2018, so we are certainly looking forward to that.

Rounding this healing set of music is Matthew Perryman Jones with his 2012 song “Land of the Living” taken from his forth album of the same name. What can I say, when you’ve written the most empathic song in the world, you need not worry about topping it…just remember,

The spark of light that is in you, is also in me, and all living things. We are all here for a short time to understand what existence is…we live as individual shadows of consciousness in a realm of the living.

“The journey does not end here, for we are a part of an infinite universe that is consciously alive in all of us, individually and collectively. If you close your eyes and listen to the silence, you will see that light, feel its infinity, and understand that you are just visiting here, for a short while, in the land of the living…and one day, you get to go home…so put away your fears, embrace life and what comes after…but while you are here, celebrate your stay through deeds of great vision, fitting of your empathic journey...


And Now, we are ready to confront the winter of darkness, as we time travel to the land of the living, on the minstral show…

SET: 02

Its been an intensive week of insanity in the global geopolitical arena, to say the least, where plans within plans behind the smoke built up global tensions, releasing a massive day of events which have left many of us, quite disconnected. So let’s remedy that.

Steve Hackett begins this next set with “Behind the Smoke” taken from his 2017 album “The Night Siren” an awesome album of expression not to be missed… There’s a great video of this song on the InsideOUT music channel on YouTube which is well worth watching as it brings to mind some of the real horrors that our brothers and sisters and their children are experiencing in the Middle East…the song and video entice us to stand up and face our fears head on, which is the key to surviving the daily deluge coming at us from all directions. Steve Hackett brings all of it to us packaged in a song. The song is also part of his awesome show. I know, because I got to see Steve Hackett and Band here in Montreal so be sure not to miss them when they come your way…but hurry, tickets go quickly.

Following Steve Hackett is Noumea, New Caledonia band Darling and Co with “Massive Day” taken from their 2014 EP “Close Connection”

“Massive Day” is a song about a soul who reaches out to guardian angel Hekamiah for strength and guidance in a time of great darkness and cataclysm…An awesome song that seemingly brings a wall of sound towards you like a tidal wave. Darling and Co are, Thierry "Pinpin", Gilbert Seliman, Patrick Eriale, Fred Mazoyer and Stephane Khoa-Hy

Julian Lennon closes the set with “Disconnected” from his 2013 album “Everything Changes” an awesome album that should be on everyone list of CD’s to have.

“Disconnected” is a reminder that life is more than the controlled illusion we live in everyday and that our feelings of being disconnected is the actual illusion because we really are all connected, by our common spiritual essence and spark of life. A very powerful song to close out the set and ease our disconnected frames of mind.


And so, let’s face what’s behind the smoke on this massive disconnected day…

SET: 03

In life, we are driven forward by an unknown force while always searching for meaning in whatever it is we are doing…sometimes, in moments of quiet, we come to reflect on the meaning of life, of where we are going, and how the things we are doing connect the dots of our past to the present…we are always searching and trying to find the answers to our silent questions…always trying to make sense of life’s moments…

The first song of the set does just that as Tony Dekkard’s “Great Lake Swimmers” captures that driving force within with their song “Still” taken from their forth studio album from 2009 “Lost Channels”.

Over the years Great Lake Swimmers have released six studio albums are now working on their seventh which should be released later in 2018, so once again there is much too look forward to in the months ahead.

Following Great Lake Swimmers is Darrel Treece-Birch with “No More Time” taken from his 2016 album of the same name. The song is about facing the tsunami of emotions and the five stages of grief after the sudden loss of a loved one. A very powerful song musically and lyrically in every way.

Darrel also plays keyboards with the British Melodic Hard Rock band “TEN” , he also writes / records and performs with original progressive rock band Nth Ascension.

Roger Waters ends the three song set with “The Last Refugee” taken from his 2017 Album “Is this the Life We Really Want“. Roger’s empathic and poetic lyrics gently shakes the listener awake from a systemic apathetic world of illusion to the nightmarish reality going on in the world around us. “The Last Refugee” is a reminder to us all that we must change our ways or it will be too late for our children and grandchildren.

Be sure to support the artists by going to their official websites, buying their music and joining their email platforms. Details are in the episode description.


And now sit back and listen to another powerful set of music, on the minstral show.

The Minstral Show - (Episode 040)


SONGS:

SET 01
New Model Army – Winter
Riverside – Time Travellers
Matthew Perryman Jones – Land of the Living

SET 02
Steve Hackett – Behind the Smoke
Darling & Co – Massive Day
Julian Lennon – Disconnected

SET 03
Great Lake Swimmers – Still
Darrel – Treece Birch – No More Time
Roger Waters – The Last Refugee

ALSO,

Be sure to visit the Artists websites and join their email platforms to keep up to date with what they are up to because, no matter how big or small they are, they need your support to keep doing what they do best. (See Links Below)

Artists LINKS:



The World United Music Podcast was carried on 11 different platforms including Anchor FM, Spotify, Apple Podcasts, Pocket Casts, Radio Public, Castbox, Breaker, Google Podcasts, Overcast, PodBean and of course on our World United Music Blog. You can still find the show on Breaker & PodBean linked below. Hey, “Catch the Wave!”



Catch the Wave!

The Best Music of 2021

World United Music Promotions

Progressive Rock – (2015 to 2019)

Progressive Rock – (2020 to 2021)

Rhythm and Blues – (2000 to 2019)

Psychedelic, Alternative, New Wave, Dark Wave – (2000 to 2019)

Psychedelic, Alternative, New Wave, Dark Wave – (2020 to 2029)

Rock, Alternative - (2010 to 2019)

Rock, Alternative – (2020 to 2021)

Soft Rock, Lite Rock, Alternative – (2010 to 2019)

Soft Rock, Lite Rock, Alternative – (2020 to 2021)

Pop Rock – (2000 to 2019)

Pop Rock - (2020 to 2021)

Folk Rock, Acoustic – (2010 to 2019)

Folk Rock, Acoustic – (2020 to 2021)

Hard Rock, Heavy Metal – (2000 to 2019)

Punk Rock, High Energy Rock n Roll – (2000 to 2019)

Southern Rock, Alt Country – (2000 to 2019)

Classic, New Age Classic

New Age Alternative

Ambient, Electronic, Relaxation

Music for the Revolutionary Mind