Showing posts with label Billy the Kid. Show all posts
Showing posts with label Billy the Kid. Show all posts

Saturday, April 9, 2016

United Music Mag 07 2016


Welcome to the 7th edition of United Music mag! Today’s featured artists are “The Rob Booth Band” from London, UK, “Billy Pettinger” aka “Billy the Kid” from Alabama, “Michael Mazochi” from LA, California, and “Peter Case” from San Francisco.

This week’s new music line-up is filled with Blues, folk, Rock, and everything in between including revolutionary elements that speak to the emotional social settings of our times. So let’s get this music revolution started!

1.

The Rob Booth Band

The Rob Booth Band is from London (UK) (South West - Wimbledon, Croydon, Morden) and was formed out of the famous jams at Ain't Nothing but the Blues bar in Soho. The Band has played together for the past 10 years in the UK & Spain, and will be on the road touring in 2016. Plans also include a studio visit with new material and a possible second album release later this year.

Their debut album, “Can’t Stop” was actually created in 2010 but was released on Bandcamp March 16th, 2016 which gives it the new music status in my books. The album flows with a variety of Americana blues, UK folk / pop influences through its solid mixture of originals and cover songs. The album centers on the insatiable pull of love, the despair of losing it and where it can leave you…’The Cold” is the place.

Have a listen to their smooth jazzy blues hit single “The Cold” and then check out the entire album, “Can’t Stop” below. Be sure to visit “The Rob Booth Band” on Facebook to keep up to date with what they’re up to…and don’t forget to give them the thumbs up. 

Band Members:
Rob Booth - Vocals & Guitar
Fran Okine - Bass
Paul Francis Bucknor- Drums
Fred Par - Keyboards & Harmonica
Luke Anthony - Guitar

The Cold – Album: Can’t Stop 


Video Source: World United Music

Found on the following Play-Lists:

Album: Can’t Stop (Released on Bandcamp March 16, 2016)


Album Source: Bandcamp

The Rob Booth Band LINKS:

BUY MUSIC


2.

Billy Pettinger

Hailing from Vancouver BC, Canada, and now living in Alabama, Billy Pettinger aka Billy the Kid has created some of the very best memorable music in Alternative country / Soft Rock that this listener has heard, and I’ve heard a great many songs in my lifetime. Billy’s latest 5 song, almost album, “You Can Have it All” is no exception and contains a hidden diamond with the album’s opening song, “Moving On” which to me contains the sound and atmosphere that drew my attention to her music in the first place.

All 5 songs on “You Can Have it All” hold big potential and will resonate with Americana, soft rock, alt country, folk fans so check out Billy’s new, “almost album” below and then have a listen to “Thoroughfare” from 2014 and “New Orleans Night” from 2012. To me, these songs capture a certain melancholy mood and atmosphere of an age as they reach out through music history like a message in a bottle showing they can withstand the tempestuous seas of time.

Be sure to visit Billy’s social links, check out more of her great music and say hi!

Album: You Can Have it All 
(Released on Bandcamp April 1st, 2016)


Album Source: Bandcamp

Thoroughfare – (2014)


Video Source: Billy the Kid

Found on the following Play-Lists:

New Orleans Night – (2012)


Video Source: Billy The Kid

Found on the Following Play-Lists:

Billy's LINKS:
BUY MUSIC

CONTACT: Billy Pettinger

3.

Michael Mazochi

Today’s third artist is Michael Mazochi from Los Angeles, California. Michael weaves his creative spirit and writing abilities across many genres putting life and meaning into all of his music. So today we’ll show you a little bit of Michael’s world as we cover his latest music projects including his folk rock a la Woody Guthrie, “The Cold War Sessions” and the energetic rock n roll of “The Michael Mazochi Band".

Michael Mazochi has been pursuing the evolution of expression for the better part of a decade. His work ranges from folk, to country, to indie rock, to pop, to rock and roll. His more instrumentally dense work with his band is an exploration of pop, psychedelic, garage and good old fashioned rock n' roll while his solo work tends towards the more intimate confessions of a solo artist.

In my opinion, everyone needs a revolution, and mine revolves around music. So when I hear the pains of the world or the call to put up a fight for freedom and justice and what is right, all contained in a song, I’m an instant fan…and so I’m really pleased to feature Michael Mazochi and his music on United Music Mag today…this is what it’s all about!

Michael’s music vibrates on many frequencies with mindful energy and spirit to capture the listener’s heart and soul as you will hear in the music selections below, but don’t take my word for it, go to iTunes to have a listen to his latest album “The Cold War”.

“The Cold War” is a brilliant album that is destined to be one of the albums of the year as it resonates with the life and times we are living in today. ~ Stewart Brennan, World United Music

Be sure to check out Michael’s music below and at the links provided…and be sure to drop by his social network pages to give him the thumbs up…hey, the revolution begins with music, pass it on!

A World in Pieces – Album: The Cold War Sessions – (Released April 8th, 2016)


Video Source: Michael Mazochi

Found on the following Play-Lists:

Golden Throes - Album: The Cold War Sessions – (Released April 8th, 2016)


Video Source: Michael Mazochi

Found on the following Playlists:

Donald Trump Presidential Blues – (2016)


Video Source: Michael Mazochi

Michael Mazochi EP #1 – (Released July 05, 2015)


EP Source: Bandcamp

Michael Mazochi lets it all out with a powerful expression in these revolutionary times and tells us to “Put Up a Fight”…Damn Straight!! Let the revolution begin!!

Put Up a Fight 


Video Source: World United Music

Found on the Following Play-Lists:

Michael Mazochi LINKS:

BUY MUSIC

CONTACT: Michael Mazochi

4.

Peter Case

Peter Case’s work sets the bar for authenticity, passion and imagination and spans a number of genres, including folk, blues, and rock. Raised in Buffalo, NY, Case came to the Bay area in 1973 and worked as a street musician and played in the seminal power pop group The Nerves, before moving to Los Angeles to form the Plimsouls, landing a deal with Geffen Records.

The Plimsouls achieved success with the single, "A Million Miles Away,” but broke up shortly after. Case’s 1986 solo Geffen record revealed deep roots in folk and blues, and earned him his first Grammy nomination for the song “Old Blue Car” as well as the Number 1 spot on the NY Time’s 1986 Best CDs list. Six CDs later, Case earned another nomination for Let Us Now Praise Sleepy John, a remarkable collection of songs that features Case’s voice and a single guitar. It’s clear that Case is a major talent on the Americana troubadour landscape.

Case’s 2010 CD, Wig emphasized the rock and blues side of Case’s repertoire, while 2007's Let Us Now Praise Sleepy John demonstrates what Case can do with just his voice and a guitar. With or without a backing band, Case delivers his songs with both intense passion and introspective nuance.

HWY 62 is the latest album by Peter Case released on October 30th, 2015. The album is another masterful offering that easily falls into a plethora of music genres including acoustic folk, blues, Americana, alt country, and the protest categories that will please a great number of music fans. The content of “HWY 62” is filled with memories, hard times and brutal honesty that comes to life with this seasoned folk and blues veteran who delivers a realistic professional air, flair and swagger with his music…and it can be said without hesitation that the music of Peter Case stands on its own with the pulse of the nation playing the chords…

“HWY 62 reaches deep down into the depths of the soul of a nation to mirror the times we live in and it’s delivered by a seasoned veteran, with total class.” ~ Stewart Brennan, World United Music

Be sure to check out all of Peter’s music and visit his social pages to catch up with what he’s up to and where he’s touring.

Waiting on a Plane – Album: HWY 62 (Released Oct. 30th, 2015)


Video Source: YouTube

Found on the following Play-Lists:

Pelican Bay - Album: HWY 62 (Released Oct. 30th, 2015)


Video Source: YouTube

Found on the following Play-Lists:

Peter Case LINKS:

BUY MUSIC

CONTACT: Peter Case

…And there we have another edition of United Music Mag and what’s new in music this week.

Hey, why not be an active part of this music revolution, by sharing this post with others…and say something like, “Pssst…there’s a revolution brewing, Pass it on.” 8-)

Great music should be heard by everyone so this message goes out to the artists as well…let’s make the changes we envision for the world together...let's just do it! Music unites us all so please help spread the word about this little music mag…the little engine that could…that can…and does support artists, musicians, song writers and music fans. To get involved, simply share this post with your fans, as your fans could help other artists while their fans can also help you. Keep up to date by following what we’re up to, as I’m here to support you and your music…so share, share, share away, keep tabs on World United Music and have a Super Day!

Best Regards,

Stewart Brennan
World United Music

* SCROLL DOWN TO THE PLAY-LISTS BELOW TO STREAM THE MUSIC

Thursday, June 16, 2011

Billy the Kid



About: Billy the Kid

From comparative isolation growing up in Vancouver, Canada – the second largest country in the world – to being embraced by a global community of friends, Billy the Kid has done it all through her dedication to music and plain hard graft.

The independent spirit has long been a driving factor in Billy the Kid’s long road to her proudest recorded moment, her fourth album as Billy the Kid, Horseshoes & Hand Grenades. Whether touring in energetic punk band Billy and the Lost Boys, or playing on her own through circumstance (her band not showing up) or choice (not wanting to give up), Billy used her time wisely. “I guess that’s the thing about being in the trenches and being independent for a whole lifetime. I pretty much resigned myself to the fact that if I was lucky, I would get to play music on my two week vacation from whatever job I had. The times when music is all I do is still so unbelievable to me.”

Starting “around the time that I started writing songs instead of essays and going to shows instead of class”, Billy has assembled bands and played shows as often as possible. 2008 saw the release of her first solo record The Lost Cause. This was followed by 2010’s Ours, 2012’s Stars, Exploding – recorded with Billy’s dream producer, Ryan Adams’ Cardinals bandmate Jamie Candiloro and 2013’s Perspective – which Billy produced and played everything on. All were crafted with the aid of money garnered from crowd sourcing campaigns. Fans have also helped her tour Europe, become her penpal for a year in exchange for album funding, and even helped her get home when stranded in London with no money after a promise of a tour fell through. With no flight back home and no way of working she decided to launch a pre-order campaign for a children’s book and with all of the interest she garnered from this, Billy managed to save enough money for a flight home.

It’s this innovative thinking and dedication to her talents that have not only kept fans on board, but enabled her to keep everything on track, even during the toughest times. The most recent example being the month-long European tour with Chuck Ragan and Northcote in June 2014, which was almost entirely paid for with 10 days worth of incredible, unique paintings which were sold to the highest bidders – all while convalescing from a serious ankle injury.

But the key thing in all of these campaigns was always to make sure fans felt they’d got their money’s worth, meaning lots of hard work mixed with a little fun. “Before any of these things ever happened I always got really worried that people would feel ripped off and demand their money back. What actually ended up happening was that I made some very important friendships that will stay with me for the rest of my life,” says Billy.

After three records made DIY, Billy considered abandoning the idea of making music regularly. But a chance meeting with Frank Turner in Toronto led, after a few months, to a whirlwind recording session in London, England, with Frank at the helm. In only 10 days, the combined work ethic and tight, tour-refined playing of Billy, Frank, and Sleeping Souls drummer Nigel Powell made for a relatively smooth process, and a record tingling with adrenaline.

“The best advice anyone in music ever gave me was that anytime things felt normal and natural, they always worked out. Any time things were supposed to be a big deal and really super important, they never really worked out. I kept thinking of that when we were making Horseshoes & Hand Grenades because everything just seemed so normal and happened so fast. I really wasn’t worried about anything because we were just three people in a room making songs. That’s really all I’ve ever wanted to do or tried to do.”
“I definitely took Frank’s lead as far as how to approach the recording process.

Eventually it became apparent that we were a pretty good team but he came up with the concept of recording ‘live off the floor’ which I think contributed a lot to the finished product. He was hoping for something with some dirt under its nails, a little more raw than some of my earlier albums. I think we accomplished that as well as some stuff we weren’t expecting. I just think it sounds badass.”

It is badass. Billy’s voice is immediately introduced on album opener ‘Phone Bills’, while Nigel’s ricocheting drums hesitate, roll and jump ahead of her, then everything collides in synchronicity. From then on it’s unmistakably Billy’s show as the extra personnel merely bolster her sleepless melodies and seasoned acoustic playing, both enriched with many miles of travel and tangled, long-distance bonds with close friends.

When playing the role of storyteller away from the autobiographical, she’s just as effective. The Quarry’s sublime picking leads into evocative lines about fleeing an unnamed town, the stumbling drums playing the part of unknown pursuers’ rapidly gaining footsteps. Meanwhile, ‘This Sure As Hell Ain’t My Life’ is a duet with Frank Turner that tells of a couple’s disconnection. ‘Lord Let Me’ recalls her Irish grandmother and English grandfather in a riotous song which reflects the difficulty her elders must’ve faced in Ireland.

Billy’s former isolation hasn’t done any harm though, and she proves it with strident confidence on solo run-throughs of’ Thoroughfare’ and the heartbreaking ‘Chelsea Rose’. Her studio buddies are there to lend a hand elsewhere with spontaneous gang vocals, or a little mandolin spring.

“I don’t know what it’s going to mean as far as what comes next,” Billy muse, “but I definitely feel like it is the culmination of each album of mine that came before it: the punk rock band, the early solo albums, the stuff I produced and played every instrument on. It was a fine moment to end up in a studio with someone like Frank Turner and half feel like I knew what I was doing.”

It would be wholly unjust not to ascribe the ultimate success of Billy’s fundraising efforts and the highest musical accomplishment so far to her, and the one thing she has clung to throughout her time on this planet.

“Work. Just always do the work. None of this stuff happens by accident and none of it would exist without some sort of effort. I always just tried to work as hard as I could, all the time.”

The results are astonishing. A hearty live presence that invites collaboration with tour mates and audience singalongs, songs to clasp to hearts, and a connection that extends beyond listener and artist but even to a network of like-minded musicians and friends.

“There’s this great community of musicians who are not only great at their craft but just the best people. I’ve never felt so welcomed and encouraged in their presence. It’s a real honour to be considered amongst friends when you’re playing shows with people whose albums you adore.”

As Billy’s new union with Xtra Mile, and a host of fresh listeners open to her honesty, unguarded nature, and deep-rooted musical palette is cemented, she remains humble, stalwart and eternally grateful.

Billy said it best in Xtra Mile’s first podcast: “I felt really lonely in (Canada) for a really long time and I always felt like maybe people didn’t get it. I was always touring in a car back and forth driving for 10 hours a day by myself and it wasn’t until I went overseas or playing in the US that I started to see ‘hey, I’m not that different! There are other people doing this and they’re as crazy as I am and they travel as far as I do!’”

Whether they can go as far as Billy can is still unproven, unlike the unrestrained ambition of this young Canadian songwriter.

CONTACT: Billy the Kid 

The Best Music of 2021

World United Music Promotions

Progressive Rock – (2015 to 2019)

Progressive Rock – (2020 to 2021)

Rhythm and Blues – (2000 to 2019)

Psychedelic, Alternative, New Wave, Dark Wave – (2000 to 2019)

Psychedelic, Alternative, New Wave, Dark Wave – (2020 to 2029)

Rock, Alternative - (2010 to 2019)

Rock, Alternative – (2020 to 2021)

Soft Rock, Lite Rock, Alternative – (2010 to 2019)

Soft Rock, Lite Rock, Alternative – (2020 to 2021)

Pop Rock – (2000 to 2019)

Pop Rock - (2020 to 2021)

Folk Rock, Acoustic – (2010 to 2019)

Folk Rock, Acoustic – (2020 to 2021)

Hard Rock, Heavy Metal – (2000 to 2019)

Punk Rock, High Energy Rock n Roll – (2000 to 2019)

Southern Rock, Alt Country – (2000 to 2019)

Classic, New Age Classic

New Age Alternative

Ambient, Electronic, Relaxation

Music for the Revolutionary Mind