Keith Watson is a singer-songwriter from Aberdeen Scotland
better known as “The Awkwards”. Keith plays a variety of music in the folk music
soft rock genres.
“I write mostly acoustic-based songs, do all vocals, play
all parts, and record in a home studio.”
Life’s experiences have been the main source of inspiration
for Keith’s music since his early youth, so it’s a good bet that you’ll find
Keith immersed in his music around the Aberdeen night club scene singing and
playing acoustic guitar if he’s not at home working in his studio on a new
track…and if you tune into BBC Radio Scotland you might also hear a song of his
from time to time.
Some of Keith’s favourite bands are the Shangri-Las, the
Velvet Underground, Black Sabbath, the Smiths, and Everything but the Girl...you
wouldn’t know it by the soft vocals, meaningful lyrics and melodic guitar
playing that embodies most of Keith’s music, which seems more in common with the
likes of Paul Simon and Jim Croce. Either way, listening to Keith’s music is a
pleasure and sure to resonate on an emotional level.
Be sure to pick-up Keith’s music on Bandcamp and while you’re
at it, drop him a line on Facebook.
Joe Jackson was born on August 11 1954 in Burton-on-Trent,
England, but grew up in the South Coast naval port city of Portsmouth. A skinny, asthmatic kid, he loved books and
originally wanted to be a writer. At
age 11, though, he joined a school violin class in order to escape the
humiliation of Sports periods in which it was very often him, rather than the
ball, which got kicked. Much to his own surprise, he found himself fascinated
by music and eagerly studying music theory and history.
A couple of years later, Joe had switched to the piano,
mainly because of his new ambition: to be a composer. His first efforts were pieces for piano and small groups of
instruments. Within a few more years,
though, he was writing songs, and leaning more towards the pop world.
At age 16 Joe played his first paying gig, as pianist in a
pub next door to a glue factory just outside of Portsmouth. This was followed by other pub gigs (in
which he was often trying to entertain crowds of drunken, bottle-throwing
sailors) and accompanying a bouzouki player in a Greek restaurant.
At age 18 Joe won a scholarship to study Composition, Piano,
and Percussion at London's Royal Academy of Music. During the three years he spent there, he broadened his horizons
further by working with a Fringe theatre group, studying Jazz with John
Dankworth at the Academy and in the National Youth Jazz Orchestra, and playing
in pop cover bands with names like Edward Bear and The Misty Set. By the time he left the Academy, he was the
co-leader and songwriter of Arms and Legs, a proto-punk outfit which released
two singles on the MAM label before burning out somewhere around 1976.
Joe then took a detour through the Cabaret world, as pianist
and musical director first for the Portsmouth Playboy Club and then for singing
duo Koffee N' Kreme. The main purpose
of this was to save money to make demos of his own songs.
By 1978 Joe was living in London and hawking an album-length
demo, with his own band (Graham Maby, Bass; Dave Houghton, Drums; Gary Sanford,
Guitar) standing by. That demo -
already called Look Sharp -
eventually found its way to American producer David Kershenbaum, who was in
London in the capacity of talent scout for A&M Records. Joe was immediately signed and Look Sharp
more professionally re-recorded in August '78.
The Joe Jackson Band finally started to play regular gigs and the album
was released in January 1979.
1980’s
Joe Jackson's story up to this point is much more fully, fascinatingly,
and hilariously recounted in his book A CURE FOR GRAVITY. From here on, though, it becomes more a
matter of public record. Look Sharp (containing the hit Is She Really Going Out
With Him) was followed within a year by the very similar I'm The Man
(containing the hit It’s Different For Girls) and in 1980 by the darker, more
reggae-influenced Beat Crazy. At the end of 1980, drummer Houghton decided to
quit, and Joe decided to dissolve the band and try something new.
In 1981 Jackson recorded Jumpin' Jive, a 'musical vacation'
paying tribute to Swing and Jump Blues artists such as Louis Jordan and Cab
Calloway. Returning to songwriting, Joe
spent a large chunk of 1982 in New York. The result was Night and Day, a more
sophisticated and melodic record built around keyboards and Latin percussion,
rather than guitars. With a new guitar-less band, Jackson hit the road for a
whole year, and the album became his biggest success, spawning the hit singles
Steppin’Out, Breaking Us In Two and Real Men and going platinum in the US.
During the tour Joe also somehow found time to write his first film score, for
James Bridges' Mike's Murder. (He would
go on to write several more, including most notably for Francis Ford Coppola's
Tucker in 1988).
Now based in NYC, Jackson's next album Body and Soul (1984)
was in a similar vein to Night and Day but featured a horn section (which,
along with the Blue Note-inspired cover art, led many people to wrongly assume
he'd made a jazz record). For Big World (1986) Jackson stripped everything down
to a 4-piece again, and recorded live, direct to 2-track master. In 1989 he
went in the opposite direction with the majestic, semi-autobiographical Blaze
of Glory, and toured with an 11-piece band.
Laughter and Lust (1991) was more like a mainstream (though still
idiosyncratic) rock record, but yet another lengthy world tour left Jackson
exhausted and at a creative dead end. As he sees it, his workaholic phase -
which also included several film scores, a live album (Live 1980-86), an
instrumental album (Will Power, 1987), guest appearances with Suzanne Vega,
Ruben Blades and Joan Armatrading, and endless touring -
was over.
1990’s
Joe's work during the rest of the 1990s was his most
challenging and eclectic: the gentle, soul-searching Night Music (1994), the
ambitious and original song-cycle based on the Seven Deadly Sins, Heaven and
Hell (1997), and the album Joe considers his most underrated, Night and Day II
(2000). The turn of the century saw a burst of creativity: Jackson won his
first Grammy (Best Pop Instrumental Album for the non-traditional,
non-orchestral Symphony No.1) and published his book A Cure For Gravity.
Described by Joe as not an autobiography but ‘a book abut music thinly
disguised as a memoir’, it was well-reviewed and has been translated into
German and Dutch.
2000’s
In 2003 Jackson astonished everyone, including himself, by
re-forming the original Joe Jackson Band for a stunning new album, Volume 4,
and a lengthy tour. The reunion was always intended as a one-off, but it also
produced a live album, Afterlife, in 2004.
By this time Jackson was living mostly back in London. He
made quite a few solo appearances, including on an unusual triple-bill tour
with Todd Rundgren and the string quartet Ethel. He sang and played piano on
Rickie Lee Jones' It's Like That and William Shatner's Has Been (produced,
arranged and co-written by Ben Folds). He made his first film appearance, as a
pub pianist, in The Greatest Game Ever Played, which also features some of his
music. He was also awarded a Fellowship by the Royal Academy of Music and an
Honorary Doctorate by the University of Portsmouth.
Around this time Joe started working with writer Raymond
Hardie and director Judy Dolan on Stoker, a musical theatre project about Bram
Stoker, the creator of Dracula. Though Stoker has been workshopped, performed a
couple of times for small invited audiences, and attracted a lot of interest
from theatre companies around the world, it has yet to find the backing for a
fully-staged production.
In 2006 Joe turned his attention back to pure songwriting
and did a short Trio tour with Graham Maby and Dave Houghton. Having failed to
happily re-establish himself in London, he moved to Berlin, where his next
album Rain was recorded in 2007. Consisting of ten powerful, timeless new
songs, Rain creates a surprisingly epic sound with just voices, piano, bass and
drums. The trio toured for the next three years, and played more shows than any
other J J lineup, including Joe’s first visits to Mexico, Israel, Croatia, the
Czech Republic, South Africa and Turkey. A live album, Live Music, was released
in 2011.
2010’s
Joe Jackson’s most recent project is a tribute to one of his
greatest musical heroes, Duke Ellington. The Duke is an often radical re-interpretation
of fifteen Ellington classics, arranged into ten tracks, and featuring an
eclectic roster of guest artists including Iggy Pop, Ahmir ‘Questlove’ Thompson
and other members of The Roots, Sharon Jones, Steve Vai, and jazz violin star
Regina Carter, who joined Joe on the subsequent tour.
Jackson is currently living in Berlin but returns frequently
to both New York and Portsmouth. He just released his latest album "Fast Forward" in Oct., 2015.
Marlon Williams is an award winning singer-songwriter from
town of Lyttelton, New Zealand.
He released his debut solo album to critical acclaim in
April, charting at 4 in New Zealand, and 31 in Australia in its opening week.
The album has been called “captivating” by Rolling Stone, “a revelation” by
Metro Magazine and “wonderfully accomplished” by the New Zealand Herald in a
5-star review. It has also featured on countless ‘Best of the Year So Far’
lists including Double J, Fasterlouder, Herald Sun, The Music and Timber &
Steel
Williams’ sold out album release tour in June/July,
including an epic hometown show at the 1300-capacity Theatre Royal in
Christchurch. Performing with his band The Yarra Benders, the Sydney Morning
Herald review glowed “what a terrific show. Fun and funny, sad and blue, it had
flashes of modernity amid vast swathes of history and offered up the promise of
a future completely unpredictable and completely watchable”.
Williams will spend 2015 touring the album in Australia and
NZ, acting in several film and TV roles, and touring North America, UK and
Europe before he releases the album internationally in early 2016.
With one of the purest voices in modern music, and the
charisma and individuality to match it, the world is about to discover Marlon
Williams.
BACKGROUND
Marlon Williams grew up singing in the Christchurch
cathedral choir, before his punk rock dad turned him onto country music in his
teens.
He founded The Unfaithful Ways at 17, with his high school
friends and their science teacher, and quickly gained national attention,
playing the Big Day Out, touring with Band of Horses and Justin Townes Earle,
and picking up a Critics Choice award nomination at the 2011 New Zealand Music
Awards for their debut album Free Rein.
Williams met acclaimed country singer Delaney Davidson in
2011, and the pair began performing as a duo. Over two years they released
three volumes of the series, Sad But True: The Secret History Of Country Music
Songwriting, garnering critical acclaim, including the New Zealand country song
and country album of the year in 2013.
Relocating to Melbourne in mid-2013, Williams began
performing solo around town and built a cult following playing a residency at
local venue the Yarra Hotel. The buzz built nationally in 2014, with major
festival and television appearances leading to sold out tours of Australia and
New Zealand.
He released his debut solo album in April 2015 to critical
acclaim, and will spend the year touring internationally alongside film and TV
appearances.
ALBUM PRESS
“Picks his marks and hits them…captivating” Rolling Stone
“…his voice soars to the heavens and plucks at the
heartstrings.” The Australian
“One of the most impressive country records this year”
Tonedeaf
“At times impossibly fun, at others bone-achingly beautiful;
Marlon Williams has delivered a gem” The Music
“The whole record is remarkable…” Music Feeds
“…sublime” Herald Sun
“Williams is also a singular artist who mimics none of his
heroes, and has forged his own musical path” New Zealand Herald
“Williams’ combination of youthful enthusiasm, old-soul
wisdom, and solid songwriting makes this debut a wonderfully accomplished
record which justifies the hype he is getting” New Zealand Herald
“It’s a revelation: an album that will still be listened to
and enjoyed a decade hence” Metro Magazine
“Marlon Williams solo debut is so effortlessly great…” Metro
Magazine
“A big part of his charm is that voice, which almost
single-handedly brings back the type of emotive yet eloquent crooning touched
on by both Tim Buckley and his son Jeff, but which hasn’t really been done the
way it needs to be done since those first crooners of rock and roll, those
bedevilled songs of Bing like Elvis Presley and especially Roy Orbison” Metro
Magazine
“Well, I have something to say. Do yourself a favour and buy
this album. Buy it now, because it might just be one of the best
country/folk/alternative/whatever-you-want-to-categorise-it records you listen
to all year!” Speaker TV
Marlon Williams has one of the richest voices you’ll hear
anywhere in New Zealand.” Sunday Star Times
Though this solo debut has been a long time coming he has
built a strong reputation as a live performer across Australia and New Zealand,
and that experience has filtered through on this superb album that never
falters or loses its sense of wonderment across its thirty-five minutes” UTR
“Sorry, New Zealand – in the grand tradition of Crowded
House, Sam Neill and Russell Crowe, Australia will be claiming Marlon Williams
as our own. After all, the Lyttelton-born singer resides in Melbourne now, and
really, he’s just that good, we’re having him” The Age
striking poise and unique polish” Mess & Noise
One of New Zealand’s finest musical exports” Renowned For
Sound
DISCOGRAPHY
2011 – Free Rein by The Unfaithful Ways
2012 – Sad But True Vol 1 by Delaney Davidson & Marlon
Williams
2013 – Sad But True Vol 3 by Delaney Davidson & Marlon
Williams
David Philips is a singer, songwriter, multi-instrumentalist
and producer from the UK. His work as a solo artist and session guitar player
has taken him around the world playing venues and festivals such as Montreaux
Jazz Festival (Switzerland), Delhi Jazz Festival (India), Woodford Folk
Festival (Australia), Blue Balls Festival (Switzerland), Mare De Agosto
Festival (Azores Islands), Blues Aan Zee Festival (Holland), plus studio work
and live shows in the US, Thailand, Cambodia and Vietnam. He has also written
and recorded productions for companies such as MTV, VH1, Audi, Volkswagon,
Honda, La Caixa (Spain) and Gas Natural (Spain).
Philips self released his debut album “Heal Yourself Alone”
in 2010 and was quickly selected as Album Of The Week by Robert Elms at BBC
Radio London. It was also at #34 in the top 100 roots/country albums of 2011,
compiled by Roots Music Report in the US. After a short tour of Holland and
Belgium Philips signed with Black and Tan Records in Holland and released his
next 3 albums with the Dutch label.
Philips is known for his D.I.Y approach in the studio,
writing, recording and producing all his albums himself as well as playing all
instruments and tracking all vocals on his last 3 records to date. The Rooftop
Recordings (2011) was recorded in his rooftop apartment in Barcelona, Spain
while December Wine (The 4 Track Tapes) (2013) is a selection of demos recorded
using a Tascam 4 track cassette machine. His most recent album “If I Had Wings”
was released in March 2015 and is the result of 18 months of writing, recording
and live shows throughout Europe. The record is Philips' most adventurous to
date, exploring his musical past as a jazz guitar player and also electronic music
producer. He also did the artwork for the release using paintings, drawings and
sketches made whilst on tour and at home throughout 2014. David Philips has
toured Europe extensively over the past 5 years and continues to showcase his
world class guitar playing and carefully crafted songs and stories to a growing
audience.
Irish
singer-songwriter and author Andy White carries a 12-string guitar under
his arm and wears his particular brand of charm on his sleeve, with the
political edge of Billy Bragg, the romance of David Gray and the Celtic
lyricism of the Waterboys.
Andy is
a fully paid up 21st Century Troubadour (and that’s the title of his
journal-memoir published by Lagan Press in Ireland and last year’s ‘album of
the book’ compilation on his UK label, Floating World).
Belfast born and raised, now
living in Melbourne, White has earned a global following for blending folk and
pop stylings with a poet’s sensibility. Working with the great names of Irish
music - Sinead O’Connor, Donal Lunny, Van Morrison - and writing with the likes
of Peter Gabriel and Neil and Tim Finn, Andy has won Ireland’s top songwriting
awards and toured the world many times over.
Since his first album Rave On Andy White, recorded in a field
in Northern Ireland, Andy has been produced by top producers John Leckie and
Kim Fowley, recorded in studios from Real World in the UK to Australia and
Canada, along the way writing many songs engrained in his homeland’s psyche –
including ‘Religious Persuasion’, ‘James Joyce’s Grave’ and ‘Street Scenes From
My Heart’.
Andy’s
latest release is his eleventh studio album How Things Are, on release in Europe this February 3. Recorded in
The Growlery, Melbourne, with son Sebastian on drums, it’s an intensely
personal collection of songs both celebrating and commemorating the end of a
beautiful relationship which started around the time his fourth album.
Andy’s
work and life have always been interconnected - his autobiography is in his
discography, and the latest one is an apotheosis of sorts. He says he wrote the
songs in an intense period of reflection, to answer the oft-posed question “How
are things?”
Andy’s
work as a writer and poet is closely linked to his songwriting output. He’s
been described as writing in the tradition of the Spanish troubadour poets and
the Beats, yet he retains a strong classical sensibility. Stolen Moments is his most recent volume, published by Brisbane
publisher Another Lost Shark Press in 2011.
As a
performer, as well as playing solo, Andy has collaborated with like-minded
friends, musicians and writers both in the past – ALT with Liam O Maonlai (Hothouse Flowers) and Tim Finn (Crowded
House, Split Enz) – and the present – Fearing
& White with Canadian singer-songwriter Stephen Fearing.
Andy is a singer-songwriter of
and for our times, documenting the world and its current chaos and beauty with
remarkable insight. As he says in ‘I Decided To Fly’, wherever he is, with an
acoustic guitar in his hand, he’s still “blowing bubbles on the Lisburn Road.”
Keep up with Andy’s world via his website, blog, and
Facebook fansite:
Joseph Fidler "Joe" Walsh (born November 20, 1947)
is an American singer, songwriter, composer, multi-instrumentalist, and record
producer. In a career spanning more than 40 years, Walsh has been a member of
five successful rock bands: the Eagles, James Gang, Barnstorm, The Party Boys,
and Ringo Starr & His All-Starr Band. In the 1990s, he was also a member of
the short-lived supergroup “The Best”. He has also experienced success both as a
solo artist and prolific session musician, being featured on a wide array of
other artists' recordings. In 2011, Rolling Stone placed Walsh at the number 54
spot on its list of "100 Greatest Guitarists of All Time."
Walsh joined the Eagles in 1975 as the group's keyboardist
and guitarist following the departure of their founding member Bernie Leadon,
with Hotel California being his first album with the band. In 1998 Guitarist
magazine selected the guitar solos on the track "Hotel California" by
Walsh and Don Felder as the best guitar solos of all time, and eighth of the
Top 100 Guitar Solos.
Walsh pursued a solo career and released his debut album The
Smoker You Drink, the Player You Get in 1973. Since then, he has released
twelve studio albums, six compilation albums and two live albums. His solo hits
include "Rocky Mountain Way", "Life's Been Good", "All
Night Long", "A Life of Illusion" and "Ordinary Average
Guy".
As a member of the Eagles, Walsh was inducted into the Rock
and Roll Hall of Fame in 1998, and into the Vocal Group Hall of Fame in 2001.
The Eagles are considered to be one of the most influential bands of the 1970s,
and they remain the best-selling American band in the history of popular music.
Walsh's creative contribution to music has received praise from many of the
best rock guitarists, including Led Zeppelin's former guitarist Jimmy Page, who
praised Walsh by saying "He has a tremendous feel for the instrument. I've
loved his style since the early James Gang." Cream's former guitarist,
Eric Clapton said that "He's one of the best guitarists to surface in some
time. I don't listen to many records, but I listen to his." The Who's
guitarist Pete Townshend, a friend of Walsh's, commented that "Joe Walsh
is a fluid and intelligent player. There're not many like that around."
Early Life:
Joseph Fidler Walsh was born in Wichita, Kansas, the son of
Robert Newton Fidler and grandson of Alden Anderson Fidler and Dora Jay Newton.
Walsh's mother was a classically trained pianist of Scottish and German ancestry,
and Walsh was adopted by his stepfather at the age of five after his biological
father was killed in a plane crash. In the 1950s, it was common practice for
Social Security, school registration, and health records for children to take
the name of their stepfather, but Walsh's birth father's last name was Fidler,
so he took that as his middle name. Walsh and his family lived in Columbus,
Ohio, for a number of years during his youth. When Walsh was twelve years old,
his family moved to New York City. Later, Walsh moved to Montclair, New Jersey,
and he attended Montclair High School, where he played oboe in the school band.
Inspired by the success of the Beatles, he replaced Bruce Hoffman as the bass
player in the locally popular group the Nomads in Montclair, beginning his
career as a rock musician. After high school, Walsh attended Kent State
University, where he spent time in various bands playing around the Cleveland
area, including the Measles. The Measles recorded for Super K Productions' Ohio
Express: "I Find I Think of You", "And It's True", and
"Maybe" (an instrumental version of "And It's True"). After
one term, he dropped out of university to pursue his musical career.
1965 – 1967: The Measels
The Measles, an Ohio garage bar band, were formed in 1965 by
four Kent State University students, one of whom was Joe Walsh. Two tracks on
the Ohio Express' "Beg Borrow and Steal" LP, "I Find I Think Of
You" and "And It's True" (both featuring Joe Walsh vocals) were
actually recorded by the Measles, led by Joe. Additionally, an instrumental
version of "And It's True" was recorded by the Measles, re-titled
"Maybe" and released as the B-side of the "Beg Borrow And
Steal" single.
1968 – 1971: The James Gang
Around Christmas time of 1967, James Gang guitarist Glenn
Schwartz, who turned out to be AWOL from the army and was breaking up with his
wife, decided to leave the band to move to California, where he ended up
forming the band Pacific Gas & Electric. Just days later, shortly after the
new year of 1968 had dawned, a friend of Schwartz's, Joe Walsh (from a fellow
band called The Measles), knocked on Jim Fox's door and asked to be given a
tryout as Schwartz's replacement. Walsh was accepted and the band continued as
a five piece for a short time until Phil Giallombardo, who was still in high
school at the time, left. Jeric and Walsh worked together on guitar parts but
Jeric ended up leaving as well in the spring of 1968. He was then replaced by a
returning Ronnie Silverman, who had been discharged from the military.
In May 1968, the group played a concert in Detroit at
Motown's Grande Ballroom opening for Cream. At the last minute, Silverman
informed the others that he would not be joining them at the show. The band,
desperately in need of the money, took to the stage as a trio. They liked their
sound as a threesome and decided to remain that way.
In 1968 the band signed with manager Mark Barger, who was
handling the career of a fellow Ohio outfit The Lemon Pipers, who had just
scored a big hit with "Green Tambourine." Barger put the Gang in
touch with ABC Records staff producer Bill Szymczyk, who signed them to ABC's
new Bluesway Records subsidiary in January 1969.
They released their debut album, Yer' Album, in 1969. In
November 1969, bassist Tom Kriss decided he was no longer into the music and
left to be replaced by Dale Peters, who was brought in from another group
called E.T. Hoolie. The addition of Peters created the most successful
incarnation of the James Gang. Walsh proved to be the band's star attraction,
noted for his innovative rhythm playing and creative guitar riffs. In
particular he was known for hot-wiring the pick-ups on his electric guitars to
create his trademark "attack" sound.
The James Gang had several minor hits and became an early
album-oriented rock staple for the next two years. Later in 1969, the group's
producer, Bill Szymczyk arranged for the band to appear in the "electric
Western" film Zachariah, with two James Gang songs, "Laguna
Salada" and "Country Fever," also being used. For the recording
of these two songs, vocalist Kenny Weiss was brought in as a means of allowing
Walsh to focus on his guitar playing. Weiss, however, was gone by the time the
group arrived in Mexico to shoot their movie scenes. "Laguna Salada"
and "Country Fever" later reappeared as bonus tracks on the 2000
re-release of The James Gang Greatest Hits.
Shortly before the release of their second album James Gang
Rides Again, the James Gang opened a show for the legendary rock band the Who
in Pittsburgh. Their guitarist Pete Townshend met with the James Gang before
they left and was impressed enough to invite them on The Who's subsequent
European tour. When Walsh was asked about this he said that, "Pete's a
very melodic player and so am I. He told me that he appreciated my playing. I
was flattered beyond belief because I didn't think I was that good."
The James Gang's next two albums, James Gang Rides Again
(1970) and Thirds (1971), produced such classics as "Funk #49" and
"Walk Away". The album James Gang Live at Carnegie Hall was Walsh's
last album with them, as he became dissatisfied with the band's limitations.
The two remaining members, Peters and Fox carried on with
the lead vocalist Roy Kenner and guitarist Domenic Troiano (both ex-members of
the Canadian band Bush) for two albums, Straight Shooter and Passin' Thru, both
released in 1972. But in recent interviews, Fox stated that things didn't work
out musically with Troiano as hoped, so he left the band in 1973 and would
subsequently join The Guess Who.
1971 – 1973: Barnstorm
In December 1971 Walsh left the James Gang and formed a band
called Barnstorm, with drummer/multi-instrumentalist Joe Vitale, and bassist
Kenny Passarelli, although both of their albums credited Walsh as a solo
artist. They started recording their debut album immediately after forming, but
at the time there were only Walsh and Vitale on these sessions. Chuck Rainey,
did the first bass tracks on the album but these were soon replaced by
Passarelli. Walsh and Barnstorm released their debut album, the eponymous
Barnstorm in October 1972. After taking a cue from Townshend, Walsh utilized
the ARP Odyssey synthesizer to great effect on such songs as "Mother
Says" and "Here We Go." Walsh also experimented with acoustic guitar,
slide guitar, fuzzboxes and keyboards as well as running his guitar straight
into a Leslie 122 to get swirly, organ-like guitar tones. The album was a
critical success, but had only moderate commercial success. The follow-up The
Smoker You Drink, the Player You Get, released in June 1973, was marketed under
Walsh's name (although officially a Barnstorm album) and was their commercial
breakthrough. It peaked at #6 on the US Billboard chart. The first and leading
single, "Rocky Mountain Way" received heavy airplay and reached #23
on the US Top 40 chart. It featured new member, keyboardist Rocke Grace, and
Walsh shared the vocals and songwriting with the other three members of the
band. As a result, a variety of styles are explored on this album. There are
elements of blues, jazz, folk, pop, and even Caribbean music. In 1974 Barnstorm
disbanded and Walsh continued as a solo artist.
In late 1974, Walsh played slide guitar on the former
Barnstorm band mate Joe Vitale's debut solo album Roller Coaster Weekend.
1975 – 1980: The Eagles
In 1975, Walsh was invited to move to England and join
Humble Pie by Steve Marriott, since Peter Frampton had left the band. Walsh
decided to decline his offer, and instead he would join the Eagles as Bernie
Leadon's replacement. There was some initial concern as to Walsh's ability to
fit in with the band, as he was considered far too "wild" for the
Eagles, especially by their drummer and co-lead vocalist, Don Henley.
Released on December 8, 1976, Hotel California was the
band's fifth studio album and the first to feature Walsh. The album took a year
and a half to complete, a process which, along with touring, drained the band.
The album's first single, "New Kid in Town," became the Eagles' third
number 1 single.
The second single was the eponymous title track, which
topped the charts in May 1977 and became the Eagles' signature song. It
features Henley on lead vocals, with a guitar duet performed by Felder and
Walsh. The song was written by Felder, Henley and Frey, with Felder writing all
the music. The mysterious lyrics have been interpreted in many ways, some of
them controversial. Rumors even started in certain quarters that the song was
about Satanism. The rumor was dismissed by the band and later by Henley in the
documentary film History of the Eagles. Henley told 60 Minutes in 2007 that
"it's basically a song about the dark underbelly of the American Dream and
about excess in America, which was something we knew about."
With its hard rock sound, "Life in the Fast Lane"
was also a major success that established Walsh's position in the band. The
third and final single from Hotel California, it reached number 11 on the
charts. The ballad "Wasted Time" closes the first side of the album,
while an instrumental reprise of it opens the second side. The album concludes
with '"The Last Resort," a song that Frey once referred to as
"Henley's opus," but which Henley described as "fairly
pedestrian" and "never fully realized, musically speaking."
The run-out groove on side two has the words "V.O.L. Is
Five-Piece Live" etched into the vinyl, which means that the instrumental
track for the song "Victim of Love" was recorded live in the studio,
with no overdubs. Henley confirms this in the liner notes of The Very Best Of.
However, the song was a point of contention between Don Felder and the rest of
the band. In the 2013 documentary, Felder claimed that he had been promised the
lead vocal on "Victim of Love," for which he had written most of the
music. After many unproductive attempts to record Felder's vocal, band manager
Irving Azoff was delegated to take Felder out for a meal, removing him from the
mix while Don Henley overdubbed his lead vocal. Joe Walsh said that Felder
never forgave them for the snub.
Hotel California has appeared on several lists of the best
albums of all time, and is the band's best-selling studio album, with more than
16 million copies sold in the U.S. alone and more than 32 million copies
worldwide. The album won Grammys for "Record of the year"
("Hotel California") and "Best arrangement for voices"
("New Kid in Town"). Hotel California topped the charts and was
nominated for Album of the Year at the 1978 Grammy Awards, but lost to
Fleetwood Mac's Rumours. The huge worldwide tour in support of the album
further drained the band members and strained their personal and creative
relationships.
Hotel California is the last album to feature founding
member Randy Meisner, who abruptly left the band after the 1977 tour. The
Eagles had been touring continuously for eleven months and Meisner was
suffering from stomach ulcers and the flu by the time they arrived in Knoxville
in July. Frey and Meisner had been continually arguing about Meisner's
unwillingness to perform his signature song, "Take It To the Limit,"
during the tour, as Meisner was struggling to hit the crucial high notes in the
song due to his ailments. During the following show, Meisner decided to skip
the song due to his flu, but when Frey aggressively demanded that he sing it as
an encore the two got into a physical confrontation backstage and Meisner left
the venue. Despite pleas from Felder and Walsh, Meisner decided to leave the
group after the final date of the tour and returned to Nebraska to be with his
family. His last performance was in East Troy, Wisconsin on September 3, 1977.
The band replaced Meisner with the same musician who had succeeded him in Poco,
Timothy B. Schmit, after agreeing that Schmit was the only candidate.
In 1977, the group, minus Don Felder, performed instrumental
work and backing vocals for Randy Newman's album Little Criminals, including
"Short People," which has backup vocals by Frey and Schmit.
The Eagles went into the recording studio in 1977 to begin
work on their next album, The Long Run. The album took two years to complete.
It was originally intended to be a double album, but the band members were
unable to write enough songs. The Long Run was released on September 24, 1979.
Considered a disappointment by some critics for failing to live up to Hotel
California, it proved a huge commercial hit nonetheless; the album topped the
charts and sold 7 million copies. In addition, it included three Top 10
singles. "Heartache Tonight" became their last single to top the Hot
100, on November 10, 1979. The title track and "I Can't Tell You Why"
both reached number 8. The band won their fourth Grammy for "Heartache
Tonight." "In The City" by Walsh and "The Sad Cafe"
became live staples. The band also recorded two Christmas songs during these
sessions, "Funky New Year" and "Please Come Home For
Christmas," which was released as a single in 1978 and reached number 18
on the charts.
Frey, Henley and Schmit contributed backup vocals for the
single release of "Look What You've Done to Me" by Boz Scaggs. A
different version with female backing vocals appears on the Urban Cowboy
soundtrack, along with the Eagles' 1975 hit "Lyin' Eyes."
On July 31, 1980, in Long Beach, California, tempers boiled
over into what has been described as "Long Night at Wrong Beach." The
animosity between Felder and Frey boiled over before the show began, when
Felder said, "You're welcome – I guess" to California Senator Alan
Cranston's wife as the politician was thanking the band backstage for
performing a benefit for his reelection.[28] Frey and Felder spent the entire
show telling each other about the beating each planned to administer backstage.
"Only three more songs until I kick your ass, pal," Frey recalls
Felder telling him near the end of the band's set. Felder recalls Frey telling
him during "Best of My Love", "I'm gonna kick your ass when we
get off the stage."
It appeared to be the end of the Eagles, but the band still
had a commitment with Elektra Records to make a live record from the tour.
Eagles Live (released in November 1980) was mixed on opposite coasts. Frey had
already quit the band and would remain in Los Angeles, while the other band
members each worked on their parts in Miami. "We were fixing three-part
harmonies courtesy of Federal Express," said producer Bill Szymczyk. Frey
refused to speak to the other Eagles, and he fired Irving Azoff as his manager.
With credits that listed no fewer than five attorneys, the album's liner notes
simply said, "Thank you and goodnight." A single released from the
album – "Seven Bridges Road" – had been a live concert staple for the
band. It was written by Steve Young in an arrangement created by Iain Matthews
for his Valley Hi album in 1973. The song reached number 21 on the charts in
1980, becoming the Eagles' last Top 40 single until 1994.
1973 – 2012: Solo Career
Barnstorm is considered the debut studio solo album by the
American singer-songwriter and multi-instrumentalist Joe Walsh, following his
departure from the James Gang. The album was released in October 1972 on the
labels ABC and Dunhill. The core band on this album – Walsh, bassist Kenny
Passarelli and drummer/multi-instrumentalist Joe Vitale – was also named
Barnstorm. It was the first album to be recorded at Caribou Ranch in Colorado.
The Smoker You Drink, the Player You Get is the second
studio album by the American singer-songwriter and multi-instrumentalist Joe
Walsh. The album was released in 1973, on the label ABC-Dunhill in the United
States, and United Kingdom, and it was also released on Probe Records in
Germany. It proved to be his commercial breakthrough, largely on the strength
of the Top 40 hit single, "Rocky Mountain Way", which helped propel
the album into the Top 10.
On this album, Walsh shares the vocals and songwriting with
the other three members of Barnstorm, drummer/multi-instrumentalist Joe Vitale,
bassist Kenny Passarelli, and the new member, keyboardist Rocke Grace. As a
result, a variety of styles are explored on this album. There are elements of
blues, jazz, folk, pop, and even Caribbean music.
After the success of this album, Barnstorm disbanded, and
Walsh continued making albums as a solo artist.
In December 1974, Walsh released an official solo album, “So
What”, which contained more introspective material such as "Help Me
Through the Night" and "Song For Emma", a tribute to Walsh's
daughter who had been killed in a car accident the previous year. On a few
tracks, Don Henley, Glenn Frey, and Randy Meisner of the Eagles contributed
backing vocals.
In March 1976, he released a live album, You Can't Argue
with a Sick Mind, which also featured the Eagles. This would be his last solo
album until 1978.
As the Eagles struggled to record their follow-up to Hotel
California, Walsh re-ignited his solo career with the critically well-received
album, “But Seriously, Folks”... in May 1978, and "Life's Been Good",
which featured his hit comedic depiction of rock stardom, peaked at #12 on the
US Billboard Hot 100 and remains to date his biggest solo hit. Walsh also
contributed "In the City" to The Warriors soundtrack in 1979, a song
penned and sung by Walsh that was later rerecorded for the Eagles' studio
album, The Long Run.
Following the breakup of the Eagles in July 1980, Walsh
continued to release solo albums throughout the 1980s, but sales did not meet
the same level of his earlier successes.
There Goes the Neighborhood was Walsh's first album since
the demise of the Eagles, and it peaked at number 20 on the Billboard 200. The
album only spawned one single, "A Life of Illusion", which would
become one of Walsh's most popular songs. The single also topped the Hot
Mainstream Rock Tracks chart, in 1981.
"A Life of Illusion" was recorded in 1973 with
Walsh's first solo band Barnstorm but was not completed. The overdubs and final
mixes were completed during the There Goes the Neighborhood sessions and
released on the album. The promotional video for the track shows the coming to
life of the album's cover. This song also appeared in the opening credits of
The 40-Year-Old Virgin and appears as the first song on its soundtrack.
Another track, "Rivers (of the Hidden Funk)", was
a track Walsh wrote for the Eagles' 1979 album The Long Run, but was left off.
The track featured a guest appearance by Walsh's Eagles-mate Don Felder (who
co-wrote the track) on talk box guitar. "Rivers..." received a good
bit of FM radio airplay.
The album's final track, "You Never Know", is a
song about rumors and hearsay, including not-so-veiled swipes at other members
of the Eagles and their management with lines like "The Frontline
grapevine jury's in a nasty mood / you might be guilty, honey, you never
know." (Frontline Management was Irving Azoff's management firm at the
time). Felder appears on guitar on this track performing rhythm and dual lead
guitar solos with Walsh.
In May 1983, Walsh released You Bought It – You Name It; the
album was received negatively by the majority of music critics, while other
reviewers noted good points to the album. It was also not as successful as
Walsh's previous albums, peaking at #48 on the Billboard 200. However, Walsh
found some moderate success with the single "Space Age Whiz Kids",
about the pinnacle of the 1980s video arcade craze. The album contains hard
rock songs such as "I Can Play That Rock & Roll" and a cover of
the Dick Haymes track, "Love Letters". It also contains more
introspective material such as "Class of '65", and contains a song
titled "I.L.B.T.s", an abbreviation for "I Like Big Tits".
His next album, The Confessor, would be something that
Walsh's new girlfriend Stevie Nicks would get involved with. Nicks' old friend
Keith Olsen was hired to produced the album and the musicians were prolific LA
session musicians including: Jim Keltner, Mike Porcaro, Waddy Wachtel, Randy
Newman, Alan Pasqua and many other musicians that Walsh had never worked with
before.
In 1987, Walsh released his final solo album of the 1980s,
Got Any Gum?, which was produced by Terry Manning, and features vocal
contributions from J. D. Souther and Survivor's lead vocalist Jimi Jamison, but
the album was a commercial disappointment.
Walsh's song "One Day at a Time" released in 2012,
details his struggles with alcohol and drug abuse earlier in his career. The
song appeared on Walsh's album Analog Man, which was released on June 5, 2012.
The album was co-produced by Jeff Lynne, with Tommy Lee James co-writing some
of the album's tracks.
Solo albums:
1972 - Barnstorm
1973 - The Smoker You Drink, the Player You Get
1974 - So What
1976 - You Can't Argue with a Sick Mind
1978 - But Seriously, Folks...
1981 - There Goes the Neighborhood
1983 - You Bought It– You Name It
1985 - The Confessor
1987 - Got Any Gum?
1991 - Ordinary Average Guy
1992 - Songs for a Dying Planet
2012 - Analog Man
2013 - All Night Long: Live in Dallas
Recent Eagles Work:
An Eagles country tribute album titled Common Thread: The
Songs of the Eagles was released in 1993, thirteen years after the breakup.
Travis Tritt insisted on having the Long Run-era Eagles in his video for
"Take It Easy" and they agreed. Following years of public
speculation, the band formally reunited the following year. The lineup
comprised the five Long Run-era members—Frey, Henley, Walsh, Felder and
Schmit—supplemented by Scott Crago (drums), John Corey (keyboards, guitar,
backing vocals), Timothy Drury (keyboards, guitar, backing vocals) and Al Garth
(sax, violin) on stage.
"For the record, we never broke up, we just took a
14-year vacation," announced Frey at their first live performance in April
1994. The ensuing tour spawned a live album titled Hell Freezes Over (named for
Henley's recurring statement that the group would get back together "when
hell freezes over"), which debuted at number 1 on the Billboard album
chart. It included four new studio songs, with "Get Over It" and
"Love Will Keep Us Alive" both becoming Top 40 hits. The album proved
as successful as the tour, selling 6 million copies in the U.S. The tour was
interrupted in September 1994 because of Frey's serious recurrence of
diverticulitis, but it resumed in 1995 and continued into 1996.
In 1998, the Eagles were inducted into the Rock and Roll
Hall of Fame. For the induction ceremony, all seven Eagles members (Frey,
Henley, Felder, Walsh, Schmit, Leadon and Meisner) played together for two
songs, "Take It Easy" and "Hotel California." Several
subsequent reunion tours followed (without Leadon or Meisner).
The Eagles performed at the Mandalay Bay Events Center in
Las Vegas on December 28 and 29, 1999, followed by a concert at the Staples
Center in Los Angeles on December 31. These concerts marked the last time
Felder played with the band. The concert recordings were released on CD as part
of the four-disc Selected Works: 1972–1999 box set in November 2000. Along with
the millennium concert, this set included the band's hit singles, album tracks
and outtakes from The Long Run sessions.
The group resumed touring in 2001, with a line-up consisting
of Frey, Henley, Walsh and Schmit, along with Steuart Smith (guitars, mandolin,
keyboards, backing vocals; essentially taking over Felder's role), Michael
Thompson (keyboards, trombone), Will Hollis (keyboards, backing vocals), Scott
Crago (drums, percussion), Bill Armstrong (Horns), Al Garth (sax, violin),
Christian Mostert (sax) and Greg Smith (sax, percussion).
In 2003, the Eagles released a greatest hits album, The Very
Best Of. The two-disc compilation was the first that encompassed their entire
career, from Eagles to Hell Freezes Over. It debuted at number 3 on the
Billboard charts and eventually gained triple platinum status. The album
includes a new single, the September 11 attacks-themed "Hole in the World."
Also in 2003, Warren Zevon, a longtime Eagles friend, began work on his final
album, The Wind, with the assistance of Henley, Walsh and Schmit.
On June 14, 2005, the Eagles released a new 2-DVD set titled
Farewell 1 Tour-Live from Melbourne, featuring two new songs: Frey's "No
More Cloudy Days" and Walsh's "One Day at a Time." A special
edition 2006 release exclusive to Walmart and affiliated stores includes a
bonus audio CD with three new songs: a studio version of "No More Cloudy
Days," "Fast Company" and "Do Something."
In 2007, the Eagles consisted of Frey, Henley, Walsh and
Schmit. On August 20, 2007, "How Long," written by J. D. Souther, was
released as a single to radio with an accompanying online video at Yahoo!
Music. It debuted on television on Country Music Television during the Top 20
Countdown on August 23, 2007. The band had performed the song as part of their
live sets in the early to mid-1970s, but did not record it at the time because
Souther wanted to reserve it for use on his first solo album. Souther had
previously worked with the Eagles, co-writing some of their biggest hits,
including "Best of My Love," "Victim of Love,"
"Heartache Tonight" and "New Kid in Town."
On October 30, 2007, the Eagles released Long Road Out of
Eden, their first album of all-new material since 1979. For the first year
after the album's release, it was available in the U.S. only via the band's
website, at Walmart and at Sam's Club stores. It was commercially available
through traditional retail outlets in other countries. The album debuted at
number 1 in the U.S., the United Kingdom, Australia, New Zealand, Netherlands
and Norway. It became their third studio album and seventh release overall to
be certified at least seven times platinum by the RIAA. Henley told CNN that
"This is probably the last Eagles album that we'll ever make."
The Eagles made their awards show debut on November 7, 2007,
when they performed "How Long" live at the Country Music Association
Awards.
On January 28, 2008, the second single of “Long Road Out of
Eden” was released. "Busy Being Fabulous" peaked at number 28 on the
U.S. Billboard Hot Country Songs chart and at number 12 on the U.S. Billboard
Hot Adult Contemporary Tracks chart. The Eagles won their fifth Grammy in 2008,
in the category Grammy Award for Best Country Performance by a Duo or Group
with Vocal for "How Long."
On March 20, 2008, the Eagles launched their world tour in
support of Long Road Out of Eden at The O2 Arena in London. The Long Road Out
of Eden Tour concluded the American portion of the tour at Rio Tinto Stadium in
Sandy, Utah on May 9, 2009. It was the first concert ever held in the new
soccer stadium. The tour traveled to Europe, with its final concert date on
July 22, 2009, in Lisbon. The band spent the summer of 2010 touring North
American stadiums with the Dixie Chicks and Keith Urban. The tour expanded to
England as the headline act of the Hop Farm Festival on July 1, 2011.
Asked in November 2010 whether the Eagles were planning a
follow-up to Long Road Out of Eden, Schmit replied, "My first reaction
would be: no way. But I said that before the last one, so you never really
know. Bands are a fragile entity and you never know what's going to happen. It
took a long time to do that last album, over a span of years, really, and it
took a lot out of us. We took a year off at one point. I'm not sure if we're
able to do that again. I wouldn't close the door on it, but I don't know."
Walsh said in 2010 that there might be one more album before the band
"wraps it up."
In February 2013 the Eagles released a career spanning
documentary called History of the Eagles and kicked off the supporting tour
with 11 arena dates from July 6 to 25. Henley said that the tour, which would
continue until 2015, "could very well be our last...we're gonna include at
least one former band member in this tour and kinda go back to the roots, and
how we created some of these songs. We're gonna break it down to the
fundamentals and then take it up to where it is now." Original Eagles
guitarist Bernie Leadon also appeared on the tour. Walsh stated, "Bernie’s
brilliant, I never really got a chance to play with him, but we've been in
contact. We see him from time to time, and I'm really glad he's coming because
it's going to take the show up a notch, and I'm really looking forward to
playing with him, finally."
Other Bands:
In late 1984 Walsh was contacted by Australian musician Paul
Christie, the former bassist for Mondo Rock. Christie invited him to come to
Australia to perform with the Party Boys, an all-star group with a floating
membership of well-known Australian rock musicians. These included the
critically acclaimed guitarist Kevin Borich, with whom Walsh became good
friends. Walsh accepted and performed with the Party Boys on their late
1984-early 1985 Australian tour and appeared on their live album, “You Need
Professional Help”. He remained in Australia for some time after the tour,
putting together the short-lived touring group "Creatures From
America", with Waddy Wachtel (guitar), Rick Rosas (bass) and Australian
drummer Richard Harvey (Divinyls, the Party Boys)
In 1987, Walsh returned to the United States to work on his
album Got Any Gum?, which was produced by Terry Manning and features vocal
contributions from J. D. Souther and Survivor's lead vocalist Jimi Jamison.
After the album's commercial disappointment, Walsh decided to return to
Australia in 1989 to tour with another incarnation of the Party Boys. Walsh
would also tour with Ringo Starr & His All-Starr Band in 1989 and 1992, alternating
a handful of his best-known songs with Starr's and tunes by other of the
members of the All-Starr Band.
In 1989, Walsh recorded a MTV Unplugged with the R&B
musician Dr. John. Also in 1989 Walsh filmed a live concert from the Wiltern
Theater in Los Angeles with Etta James and Albert Collins, called Jazzvisions:
Jump the Blues Away.
While producing their Homegrown album in 1989, Walsh briefly
joined New Zealand reggae band Herbs. Although he had left by the time of its
1990 release, he still appears as lead vocalist on two tracks, "Up All
Night" and "It's Alright." The album includes the first
recording of his "Ordinary Average Guys" (sung by late Herbs bassist
Charlie Tumahai), which subsequently became a solo hit for Walsh as
"Ordinary Average Guy".
In late 1990, Walsh was part of a band called the Best,
along with keyboardist Keith Emerson, bassist John Entwistle, guitarist Jeff
"Skunk" Baxter and drummer Simon Phillips. The band performed several
shows in Hawaii and Japan, with a live video resulting.
In 1993, Walsh teamed up with Glen Frey for the "Party
of Two" tour in the United States.
In 1996, James Gang did a reunion for the Democratic
president, Bill Clinton. The band consisted of their "classic" lineup
(Walsh, Peters, Fox), and they performed at the Cleveland State University
Convocation Center on November 4, 1996.
In 1998, ABC wanted to use a classic rock song rock for
Monday Night Football that year, so they asked Walsh to rewrite the lyrics to
"Rocky Mountain Way" for the quarterback John Elway of the Denver
Broncos. "Rocky Mountain Elway" was the new title of the song and
Walsh appeared in a video that ABC showed on the Monday Night Football.
2000 – 2012:
In June 2004, Walsh performed at Eric Clapton's Crossroads
Guitar Festival in Dallas, Texas. He was also featured in September 2004 at the
Strat Pack, a concert held in London, England, to mark the 50th anniversary of
the Fender Stratocaster guitar. In 2006, Walsh reunited with Jim Fox and Dale
Peters of the James Gang for new recordings and a 15-date summer reunion tour.
The tour lasted into the fall.
In 2008, Walsh appeared on the Carvin 60th Anniversary
Celebration DVD as a celebrity endorser. In the recorded interview, he highly
praised Carvin guitars and claims that the bridge design is "just like the
first Les Paul models. I can't even get Gibson to reissue it."
Kent State University awarded Walsh an honorary degree in
music in December 2001. In May 2012, the Berklee College of Music awarded
Walsh, along with other members of the Eagles, an honorary doctorate for his
accomplishments in the field of music.
Notable Appearances:
In 1974 Walsh produced Dan Fogelberg's Souvenirs album and
played the guitar, electric guitar, 12 string guitar, arp bass and provided
backing vocals. He also contacted Graham Nash to sing harmony vocals on
"Part of the Plan", which helped send the album to #17 on the 1975
Billboard album chart.
In 1981 Walsh and former Barnstorm bandmate, Joe Vitale,
went to work on old friend John Entwistle's fifth solo album Too Late the Hero,
whenever they were free to work on it. The album turned out to become John
Entwistle's best-charting solo album, with hit singles "Talk Dirty"
and "Too Late the Hero."
Walsh was a background musician (1st guitar solo) on Eagles
bandmate Don Henley's 1982 hit "Dirty Laundry" (listed as such in the
liner notes of I Can't Stand Still and Actual Miles: Henley's Greatest Hits).
Walsh played guitar throughout Who bassist John Entwistle's 1981 solo album Too
Late The Hero. Walsh has also contributed to albums by: Ringo Starr, America,
REO Speedwagon, Jay Ferguson, Andy Gibb, Wilson Phillips, Emerson, Lake &
Palmer and Steve Winwood, and on the Richard Marx hit "Don't Mean
Nothing".
Walsh was a regular guest deejay on Los Angeles radio station
KLOS during the mid-1980s. They had a Saturday evening feature, with celebrity
guest-hosts taking over the microphone (Walsh was the guest host far more
frequently than any other). He was also been a frequent guest and guest-host of
Detroit and Chicago radio personality Steve Dahl.
Onscreen, Walsh has appeared in: The Blues Brothers,
RoboCop, Promised Land, The Drew Carey Show, Duckman, MADtv, Live from Daryl's
House, Rock the Cradle and Zachariah.
In October 2004, Walsh undertook speaking engagements in New
Zealand to warn against the dangers of substance abuse. He said the visit was a
"thank you" to people who took him to Otatara Pa when he toured New
Zealand with reggae band Herbs while under heavy alcohol and cocaine addictions
in 1989, an experience he has cited as the beginning of a long journey back to
good health. At Otatara Pa in 2004 Walsh said, "This is a special place,
and it is very special to me. It was here on a visit many years ago, up on the
hills, that I had a moment of clarity. I don't understand it, but I reconnected
with my soul, and I remembered who I used to be. I admitted I had problems and
I had to do something about it. It was the beginning of my recovery from my
addiction to alcohol and drugs, and when I got back to America it gave me the
courage to seek help."
On February 12, 2012, Walsh appeared on stage with Paul
McCartney, Bruce Springsteen, Dave Grohl, and McCartney's band at the Staples
Center in Los Angeles to close out the Grammy Awards show. Walsh also appeared
on the 60th Episode of Live from Daryl's House with Daryl Hall, which premiered
on November 15, 2012.
On February 9, 2014, Walsh was featured in several songs on
the CBS special The Night That Changed America: A Grammy Salute to The Beatles.
In 2014, Walsh made a guest appearance on Foo Fighters'
eighth studio album Sonic Highways.
Awards:
As a member of the Eagles, Walsh has won five Grammy Awards:
1977 - Record of the Year: "Hotel California"
(single)
1977 - Best Arrangement for Voices: "New Kid in
Town"
1979 - Best Rock Vocal performance by a Duo or Group:
"Heartache Tonight"
2008 - Best Country Performance by a Duo or Group with
Vocals: "How Long"
2009 - Best Pop Instrumental Performance: "I Dreamed
There Was No War"
Walsh was inducted into the Rock and Roll Hall of Fame in
1998
Walsh was inducted into the Vocal Group Hall of Fame in
2001.
Psychedelic, Alternative, New Wave, Dark Wave – (2000 to 2019)
Psychedelic, Alternative, New Wave, Dark Wave – (2020 to 2029)
Rock, Alternative - (2010 to 2019)
Rock, Alternative – (2020 to 2021)
Soft Rock, Lite Rock, Alternative – (2010 to 2019)
Soft Rock, Lite Rock, Alternative – (2020 to 2021)
Pop Rock – (2000 to 2019)
Pop Rock - (2020 to 2021)
Folk Rock, Acoustic – (2010 to 2019)
Folk Rock, Acoustic – (2020 to 2021)
Hard Rock, Heavy Metal – (2000 to 2019)
Punk Rock, High Energy Rock n Roll – (2000 to 2019)
Southern Rock, Alt Country – (2000 to 2019)
Classic, New Age Classic
New Age Alternative
Ambient, Electronic, Relaxation
Music for the Revolutionary Mind
Welcome!
World United Music (W.U.M.) was dedicated to promoting a variety of music by Independent, Signed, and Unsigned artists. The goal of this project was to help artists gain recognition for their music by Fans across the World while also offering additional support to established artists that continue to create.
World United Music gathered the very best music and put it right here in one place to help listeners discover new music.
If you like what you hear, please consider sharing the music with friends and family.
I'm not in phase with what mainstream mediums have to offer, nor do I like being lied to. So I decided to build my own World where creativity, music, and truth prevail. Therefore I’m a photographer, Writer, Video Producer, News Reporter, Music Promoter, Radio DJ, Poet, Activist, Critical Thinker, and Problem Solver. Be sure to visit all my websites linked below for more of my world.
Posts
