Sunday, May 24, 2020

Prog Rock and Progressive Activism


Progressive Rock Through the Ages


By: Stewart Brennan

Progressive Rock is one of several experimental genres that evolved out of Rock n Roll in mid 1960’s. It was a purely creative genre that carried at its initial core, reflections of morality, philosophies, political views and the social economic conditions of the times.

The genre had a wide range of influence and emerged in the mid 1960's when record labels allocated more creative control to their artists who began pushing the confines of the twelve bar, 2 to 3-minute Pop / Rock n Roll song structures. The influence of folk, jazz, blues and classical music began finding their way into the experimentation as did the new psychedelic wave which also grew out of the evolution of Pop and Rock n Roll.

Additional elements that contributed greatly to the nature of Progressive Rock was the infusion of more poetic lyrics and or new technology that helped artists produce sounds to bridge their creative ideas for both studio album and onstage performance. The recording studio thus became a place of creative artistic freedom and focus which often involved producing music for listening rather than dancing. In essence, Progressive Rock was based on a fusion of styles, approaches, genres, and creative freedom.


 60's Progressive Rock its Roots and Beginning


Music is placed in descending order of Release Date Starting with Jan of the earliest year and ending with Dec of the last year in the decade. The purpose is to give the music a sense of time and atmosphere for the listener. More music will be added as it becomes available.

The mid 1960’s to the mid 1970’s was a very social and political expressive era that contained a very vocal anti-war and anti-immoral establishment voice. Much of this was expressed through progressive music. In fact, freedom of expression in music was a major factor in carrying the anti-war voice which created enormous pressure on the US government to end their war on Vietnam.


 70’s Progressive Rock 1970 to 1974


Music is placed in descending order of Release Date Starting with Jan of the earliest year and ending with Dec of the last year in the decade. The purpose is to give the music a sense of time and atmosphere for the listener. More music will be added as it becomes available.

Progressive Rock saw a high level of popularity and peaked during this period (1965 to 1975), but it soon faded as the war in Vietnam ended but also because the record labels pushed their artists into producing a more popish sound. One might also argue that between touring and label contractual demands placed on the bands, creative studio time became somewhat limited. Even still, some bands were producing two albums a year and touring which contributed to some of them experiencing burnout requiring an extended break. (The Moody Blues, E.L.P. as examples) The tight, high-pressure conditions certainly played a role in the genre’s fading.

With the Vietnam war at an end, the 1960’s anti war culture had also come to its conclusion leaving only the anti-establishment voice in music which was expressed in its rawist form through Punk Rock and to a lesser degree in heavy metal.


 70’s Progressive Rock 1975 to 1979



Music is placed in descending order of Release Date Starting with Jan of the earliest year and ending with Dec of the last year in the decade. The purpose is to give the music a sense of time and atmosphere for the listener. More music will be added as it becomes available.

Some of the earliest Progressive Rock bands achieved commercial success well into the 1980s by evolving into symphonic pop, arena rock, or new wave bands, but the artistry of the anti-war voice that was prevalent during the early years of Progressive Rock had faded with few exceptions; Pink Floyd’s 1979 album “The Wall” being one of those exceptions.

It’s Important to note that while music became more commercial during the late 1970’s, the music Industry was also under economic pressure to consolidate.

Label Collusion:

In 1984 -85 the big six recording companies “Warner”, “Universal”, “EMI”, “BMG”, “Sony”, and “Polygram” jointly announced that they would adopt CD technology and stop producing Vinyl records within a six-month period following their announcement. Music variety and the political protest voice that connected people, largely disappeared from the airwaves not long after the first era of vinyl production ended. What the major labels pushed on the public through the consolidated and syndicated Pop 40 radio stations was a politically sterilized product that was disconnected from reality. The Music Industry as it was in the 1960’s to early 70’s was gone and was replaced by large entertainment conglomerates which had sister companies directly in the war industries.

So, it’s not surprising that the resulting music pushed by the radio and TV entertainment industry was more and more corporately sterilized and disconnected with political reality during that time period.


1980’s Progressive Rock



Music is placed in descending order of Release Date Starting with Jan of the earliest year and ending with Dec of the last year in the decade. The purpose is to give the music a sense of time and atmosphere for the listener. More music will be added as it becomes available.

Progressive Rock all but disappeared from the public airwaves from the mid 1980’s to the 2000’s due in most part to label consolidation which carried by default, economic and creative constraints, creative control and a subsequent narrow vision of music content.

The years succeeding the 1985 label collusion are regarded by some as the Dark times in Rock music history. Music with political substance began to fade from the corporate controlled airwaves that pushed a disconnected Pop 40 format.

As CD technology allowed the major labels to corner the market, music history from the first vinyl era was mostly put on the shelf and simply not made available with the exception of greatest hits compilations or large revenue generating albums. Fewer labels remained or retained their independence and were bought up or simply went bankrupt leaving fewer doors open for artists to knock on.

As both TV and Radio airwaves came under mega corporate control, the anti-war and political protest voice that was heard in music and news during the mid 60’s to mid 70’s was completely absent by 1990. The 1990’s Progressive Rock era was mostly hidden, although there were some bright spots in the 1990’s for activism in music such as Roger Waters 1992 album “Amused to Death” in which Roger summed up the state of the world brilliantly. Unsurprisingly however, Roger Waters was openly attacked in the corporate media for his expression and opinions within his music.

An interesting observation in parallel with the decline of freedom of expression in music is that the geo-political and economic narrative held by western governments had no checks and balances and thus began to launch wars seemingly without resistance since control of opinion in news and music was under corporate control.

1990’s Progressive Rock (Under Construction)



Music is placed in descending order of Release Date Starting with Jan of the earliest year and ending with Dec of the last year in the decade. The purpose is to give the music a sense of time and atmosphere for the listener. More music will be added as it becomes available.

However, by the mid to late 1990’s, technology once again changed the music playing field as computers, computer programs, the Internet and the home recording studio provided artists with new cost-effective tools to create music and reach an audience without having to knock on closed Industry doors.

The compressed digital music file (mp3) exploded across the internet in 1995 and online record stores such as CD Baby, started by Derek Sivers in 1998, became the way for independent and unsigned artists to sell their music to an international online audience.

Suddenly the technology to make CD’s was available to everyone on the home computer. The compact mp3 format made sharing music by email a unique thing until Napster came along in 1999 and provided a platform for music fans to share their files with each other.

Technology had advanced to the point that it allowed the music contained on old Vinyl records to be digitized onto the home computer. This practice became hugely popular because the music that had not been made available on CD by the big record labels was not only being digitized by music fans but was being shared and burned into CD’s on home computers.

The sharing aspect of Napster (1999 to 2001) was met by both outrage and applause. It sparked great interest by many across the world as old music which had been shelved in the CD era, suddenly became available on the file sharing platform, but most importantly, Napster gave rise to the “International Social Network” where chat rooms became HUGE information sharing hubs that sparked the beginning of the 21st century truth movement.

File sharing and chat rooms on Napster literally tore down the walls of control that the corporate music industry held since the 1985 collusion.

By 2001 iTunes came into existence with a 60 / 40 revenue sharing platform where all artists could sell their music in mp3 format. Internet pages and social networks like YouTube became the new airwaves from 2005 onwards where an explosion of expression and opinion surged once again to breathe new life into all forms of music including Progressive Rock.

It’s also important to mention that the US and UK governments went to war in 2001 and 2003 while the Internet and social communication was in its infancy. However, the Internet was a global online communication platform without censorship in a time, that allowed free speech and opposing political views to emerge. By 2005 through 2008, YouTube became the International platform for free speech, Investigative journalism and music promotion by signed, unsigned and Independent artists. During this period of time, music and ideas went viral as the Internet also provided a platform for Independent Investigative journalism, so the Internet became a place that allowed the anti-war voice to re-emerge while also giving artists a place to express their thoughts through music. The Jeanie was out of the bottle and it connected people all over the world.

Creative experimentation in music returned with a social political awakening that carried a conscience with it, which continued to evolve from 2005 through 2015.

During this period of time, Progressive Rock returned to the spotlight with reflections of morality, philosophies, political views and the social economic conditions of the times. Progressive Rock had come full circle from the 1960’s to the beginning of a new age.


 2000 to 2014 Progressive Rock



Music is placed in descending order by year. More music will be added as it becomes available.

Music expression exploded across the Internet reviving the political voice at a level not heard since the early days of Progressive Rock. Mainstream artists joined in and gave the public a stronger voice. Although I will note that Roger Waters has always been vocal and a champion of the down trodden.

While a new world of music and journalistic freedoms emerged, the corporate entertainment Industry began losing control of their economic and political narrative; so much so that internet free speech championed by investigative journalists and independent musicians along with their followers stopped the US, France and UK governments from going to war on the people of Syria. The anti-war voice proved it was alive and well in the 21st century.


2015 to 2019 Progressive Rock



Music is placed in descending order by year. More music will be added as it becomes available.

Progressive rock had been synonymous with free speech, activism and the anti-war movement in its earlier days (1967 to 1975), so when progressive rock surged in the 2015 to 2019 years, it was due to a growing political enlightenment in the world at large; and it became a global phenomenon.

However, the backlash by the corporate establishment to news and music independence is now rearing its ugly head once again through its censorship of the Internet via the mega corporations that have consolidated their control over the social networks and Internet search engines.

As the World goes through a Corporate and Government imposed lock down in 2020, free speech and freedom of expression have become major targets of a Corporate cartel in collusion with governments across the world. Although we are all victims in this corporate war on humanity, Independent Journalism and Independent music artists are the ones directly affected by the government approved corporate censorship and the corporate directed government shutdown of all society including all entertainment venues. There is no doubt that a prolonged lock down will bankrupt many people including music venues leaving many artists without an income. So, this has become a war of survival between the human community and corporate totalitarianism.

What we do collectively from this day forward will decide the future of free speech in news and music. Humanity will either overcome corporate control to usher in a new millennium of freedom or the boots of corporate tyranny will stomp on the face of humanity till the end of days.

Supporting Independent journalists and artists is crucial to our community’s survival because they carry with them the moral high ground of freedom of speech.

Freedom of speech, is vital to the survival of our democracies.

When we look at Progressive Rock in hindsight, we see it as the evolution of Rock n Roll, and if we conceptualize Rock n Roll in relation to "Progressive Rock", we find that progressive music pushed Rock n Roll into greater complexity while retracing the roots of folk, blues, Jazz and classical music with a postmodernism ideology.

Rock itself can be interpreted as a progressive idea as all sub genres such as Psychedelic & Progressive Rock music have led to the general creation of "Rock"; …and Rock music is an expression of life, our social environment and living conditions.

2020 to 2024 Progressive Rock


The new decade is in lock down, but artists all around the world have stepped up to comfort the initial shock, it will be our turn to help them in return very soon. So, I suggest that readers of this post, go to the artists websites and buy their music and / or merchandise and if possible, support their crowdfunding projects or Patreon accounts. I also suggest supporting Independent journalists for their huge contribution to keeping our communities alive and enlightened with the truth.

Artists can also help themselves by selling their music on Bandcamp. I’ve been promoting Bandcamp as a place for fans to buy an artists music since I first discovered them in 2010. They’ve been around since 2008 but I find it is the “ONLY” online store that works FOR the artist by giving them approximately 85% of all music sales.

In the past 30 days as of this posting, Bandcamp paid artists 22.6 Million US dollars. If you compare this with say a corporate music streaming monster like Spotify who took in over 6.8 Billion Euros in 2019 alone, and gave practically NOTHING back to the artists...well you decide what kind of corporate crime that is…because if that isn’t a crime, then I don’t know what is!


I created World United Music in 2010 as a means to help promote artists so they might gain more attention and possibly earn a living with their music. Nothing has changed as I continue working for as many artists as I can. I hope that you the reader find value in what is written here today and share this post with your online community so that they may discover new music that resonates with them.

The 21st century will prove that we can achieve greater things when we all work together and share the wealth, not only financially but spiritually as well.

Have a great day and enjoy the music.
------------------------------------------------- 
This Post is Dedicated to all artists and Investigative journalists who have moved the world out of darkness into the light; with a very special thank you to Roger Waters.

Thank you, Roger, for your brilliant combination of music and lyrics and the compelling way that you speak truth to power. Bless You. ~ Stewart Brennan - World United Music
------------------------ 
Links of Interest:

Music:

Wednesday, May 13, 2020

Soundcheck Live - Let it Be




Watch, Stream, Listen and Share. All proceeds of the 'Let It Be' single will be donated to the MusiCares.org Relief Fund


DONATE NOW at MUSIC CARES

Single available to purchase or stream on all digital music services

Featuring: 
Avril Lavigne, Nuno Bettencourt, Orianthi, Phil X, Gary Cherone, dUg Pinnick

Words and Music by John Lennon and Paul McCartney

Produced by Steve Ferlazzo

Connect Online:



PERFORMERS LISTED IN ORDER OF APPEARANCE:

CARL RESTIVO - Vocals
STEVE FERLAZZO - Piano
JOHN BISAHA - Vocals/BGVs
ROBBIE GENNETT - Piano
GABRIELA -Vocals
BRIAN LONDON - Piano
MARIA BETTENCOURT - BGV's
FELICE HERNANDEZ - BGV’s
DAVE KERZNER - Mellotron
ANGELA MICHAEL - BGV’s
DANICA PINNER - Cello
REBECCA SCHLAPPICH-CHARLES - Violin, Viola
ELIZA JAMES - Violin
FERNANDO PERDOMO - Elec. Guitar
TOMMY DEMPSEY - Vocals, BGV's
CHRISTIAN HOGAN - Drums
ALEXANDER BURKE - Organ
RYAN BROWN - Percussion
RODNEY HOWARD - Percussion
LUIS GIL BETTENCOURT - Elec. Guitar
GARY CHERONE - Vocals
CHAD WRIGHT - Drums
MARTY O’BRIEN - Bass
AVRIL LAVIGNE - Vocals
BARRY POINTER - Acoustic Guitar
GLEN SOBEL - Drums
JOE PESSIA - Bass
MICHAEL BLUESTEIN - Organ
JOE AUGELLO - Elec. Guitar, Lead Guitar
DAN ELLIS - Elec. Guitar
HOLLY BISAHA - BGV's
LEAH MARTIN-BROWN - Vocals, BGV's
JON MANNESS - Trumpet
ALEXANDER MATHIAS - Saxophone
CHRIS REEVE - Drums
STEVE FEKETE - Elec. Guitar, Lead Guitar
ASHLEY REEVE - Bass
RANDY COOKE - Drums
JAMES KING - Glockenspiel
MIKE MANGAN - Organ
JERRY JEMMOTT - Bass
MIKE BENNETT - Drums
SVEN MARTIN - Elec. Piano
DEREK FRANK - Bass
DAVID IMMERMAN - Acoustic Guitar
JOEY SYKES - Elec. Guitar, Acoustic Guitar, BGV's
PHIL X - Lead Guitar
MIKE MANGINI - Drums
DUG PINNICK - Bass
ORIANTHI - Lead Guitar
STU HAMM - Bass
NUNO BETTENCOURT - Lead Guitar, Vocals
KEVIN “KFigg” FIGUEIREDO - Drums
ANNETTE MARIE FRANK - BGV's
LISA MARGAROLI -  BGV's
JENNIFER JO OBERLE - Bass
AUGUST ZADRA - Acoustic Guitar
KOREL TUNADOR - Elec. Piano
DEVIN BRONSON - Elec. guitar
RACHEL GRACE - Violin, Viola
GINNY LUKE - Violin
KINGA BACIK - Cello

AUDIO ENGINEERS:
PETE JONAS - Vocal Engineer for Avril Lavigne
MATTHEW KING ROSS -Audio Engineer for Eliza James -Violin
ADAM BARTOW - Audio Engineer for Tommy Dempsey - Vocals

VIDEOGRAPHER:
LAUREN BATES - for Avril Lavigne

MIXED BY: PAUL HAGER
MASTERING BY: MAOR APPELBAUM
VIDEO EDITOR: MIKE SAVAGE


Catch the Wave!

Saturday, May 2, 2020

The Minstral Show – (Episode 85)




Welcome to the Minstral Show, the program that spotlights the very best music from around the world, made exclusively in the 21st century.

Eleven new songs by signed, unsigned and Independent artists in the spotlight this week featuring, The Dream Syndicate, Arbouretum, Squids out to Sea, Medicine Boy, Amarante, Ian Alexander, Agnes Obel, The Vacant Lots, Mt Mountain, MARIUSZ DUDA and The Happy Fallen.

As the COVID lockdown moves into May, stress levels are beginning to build in anticipation of the consequences…But no matter how dire these events may be or seem to be, the human spirit will endure and overcome whatever hurdles are placed in front of us. After all, our communities have experienced much worse and survived whatever was thrown at us. So, I believe a little flu and an economic change are things we can handle and get through together.

Creativity through music, art and poetry are great ways to let in the light while the darkness passes over us, and so; As we “Dust off the Rust” and “Let it All In” “Till the Stars Go Out”, we see through “A Window” to the “Mountains”, and “Hesitate” while the “Camera’s Rolling”, as the “Rescue” “Tassels” “The Song of a Dying Memory”, we “Can’t Be Lonely”…here are this weeks songs, made just for you.

The Minstral Show – (Episode 85)



SONGS:


SET 01
The Dream Syndicate – Dusting Off the Rust – (2020 Apr 16)
Arbouretum – Let it All In - (2020 Mar 20)
Squids out to Sea - Till the Stars Go Out – (2020 Apr 12)


SET 02
Medicine Boy – A Window - (2020 Apr 16)
Amarante – Mountains - (2020 Apr 15)
Ian Alexander – Hesitate - (2020 Apr 24)
Agnes Obel – Camera’s Rolling - (2020 Feb 20)


SET 03
The Vacant Lots – Rescue – (2020 Mar 05)
Mt Mountain – Tassels – (2020 May 01)
MARIUSZ DUDA - The Song of a Dying Memory - (2020 Apr 14)
The Happy Fallen – Can’t Be Lonely – (2004)

ALSO:

Be sure to support the artists by going to their official websites, buying their music and joining their email platforms. (See Artist Links below.)

ARTIST LINKS:


Catch the Wave!


Thursday, April 23, 2020

The Minstral Show – (Episode 84)



Welcome to the Minstral Show, the podcast that spotlights the very best music from around the world, made exclusively in the 21st century.

With the World under lock down due to fears of COVID-19, many artists and musicians have been turning their free time into creative works. Indeed, it’s safe to say that we’re entering a new age of awakening and renaissance. I can attest to this because my inbox has been filled with hundreds of emails from artists sharing their latest thoughts, ideas and creations.

It is a time when the lights are on, when people are focused and at their most creative and attentive. Although things in the world may look bleak at the moment, they will get better.

There is a Japanese proverb that says, “fall down 7 times, get up 8” ...and so that’s what we shall do collectively once this COVID Medical Martial lock down is over. We’ll pick ourselves up and evolve to the next phase. I’m quite confident that we will make it to the next round.

With that said, there’s a lot of great music being created this year which I am very happy to share through a new version of the Minstral Show. Here are 11 new tracks to get you through the lock down by signed, unsigned and Independent artists from around the World featuring, The Dream Syndicate, Ojibo Afrobeat, Kevin Morby, Roadkeeper, The Flamingo Jones, The Psychic Ills, The Hanging Stars, Deep Purple, The Spacelords, Ulver, and Darknight.

Have a great day / evening, stay safe and we’ll catch you on the next episode of The Minstral Show.

The Minstral Show – (Episode 84)



SONGS:


SET 01
The Dream Syndicate – The Regulator (2020 Feb 26)
Ojibo Afrobeat – Dunes (2020 Jan 24)
Kevin Morby – I was on Time – (2020 Mar 03)


SET 02
Roadkeeper – Sundowners (2020 Mar 27)
The Flamingo Jones – Night Train Electric (2020 Apr 20)
Psychic Ills – Never Learn not to Love (2020 Mar 31)
The Hanging Stars – I Woke Up in July (2020 Feb 21)


SET 03
Deep Purple – Throw My Bones (2020 Mar 20)
The Spacelords – Frau Kuhnkes Kosmos (2020 Feb 21)
Ulver – Little Boy (2020 Apr 03)
Darknight – Well, It’s Time (2019 Dec 24)


ALSO:

Be sure to support the artists by going to their official websites, buying their music and joining their email platforms. (See Artist Links below.)

ARTISTS LINKS:


Catch the Wave!

Sunday, February 23, 2020

The Minstral Show – (Episode 083)





Welcome to the Minstral Show, the podcast that spotlights the very best music from around the world, made exclusively in the 21st century.

Eleven great tunes to take you away from an insane world that has truly gone over the edge… I mean, how many spears of greed, oppression, racism, political insanity, fake news, war, censorship or miscarriages of justice can we take…

Let’s remedy that with good music, to once again, bring us back to reality and relieve the daily pressures with new music by HEAT, Yuri Gagarin, Rick Miller and The Greek Theatre, and also great music by Deep Purple, Calexico, Marta Wiley, Klone, Katherine Aly, Josh Garrels, and Phil Common. Their combined message reads as follows;

We’re on Dangerous ground,
on the outskirts of reality,
and all I got is you,
and you me.

We’re correct to the core,
and it’s the end of the night
where we need to open up
and communicate from a different place.

Yonder are the sunny days
where sleepers awaken
and where love is not a waste of time…

THAT, is the music you’ll hear on today’s show. Musical medicine to reverb around the world and free our spirits…and oh yes, while we are at it, let our voices sing and be heard in solidarity to FREE Julian Assange, Aamir Aziz, Daniel Hale and Chelsea Manning…catch the wave on the Minstral Show.


The Minstral Show Episode 83

SONGS:

SET 01
H.E.A.T. – Dangerous Ground (2020 Jan)
Yuri Gagarin – The Outskirts of Reality (2020 Jan)
Deep Purple – All I got is You (2017 Apr)

SET 02
Rick Miller – Correct to the Core (2020 Feb)
Calexico – End of the Night (2018 Jan)
Marta Wiley – Open (2012)
The Greek Theatre – A Different Place (2020 Jan)

SET 03
Klone – Yonder (Bruce Soord Mix 2019 June)
Katherine Aly – Sunny Days (2019 Aug)
Josh Garrels – Sleeper (2005 Rerelease 2020)
Phil Common – Love is not a Waste of Time (2009)


 ALSO:

Be sure to support the artists by going to their official websites, buying their music and joining their email platforms. (See Artist Links below.)

ARTISTS LINKS:



Special thanks to: Southbound Snake Charmers & John Palmer for their music contribution to this program.

Program Intro Song:

3rd set Intro


The World United Music Podcast was carried on 11 different platforms including Anchor FM, Spotify, Apple Podcasts, Pocket Casts, Radio Public, Castbox, Breaker, Google Podcasts, Overcast, PodBean and of course on our World United Music Blog. You can still find the show on Breaker & PodBean linked below. Hey, “Catch the Wave!”


…and of course, here, on the World United Music Blog. 😊


Catch the Wave!

World United Music Promotions

Progressive Rock – (2015 to 2019)

NEW - World Music for Film

Rhythm and Blues – (2000 to 2019)

Psychedelic, Alternative, New Wave, Dark Wave – (2000 to 2019)

Rock, Alternative - (2010 to 2019)

Soft Rock, Lite Rock – (2010 to 2019)

Pop Rock – (2000 to 2019)

Folk Rock, Acoustic – (2010 to 2019)

Hard Rock, Heavy Metal – (2000 to 2019)

Punk Rock, High Energy Rock n Roll – (2000 to 2019)

Afro Jazz Funk - (2000 to 2029)

Southern Rock, Alt Country – (2000 to 2019)

Classic, New Age Classic

New Age Alternative

Ambient, Electronic, Relaxation

Music for the Revolutionary Mind