Just a quick update to let you know that I have shelved
World United Music indefinitely. If I’m able to bring some serious attention to
this project in the future, I will certainly return more determined to make a
difference because that’s what World United Music has always been about. For
the time being, I will be working at World United News where the information
demand requires my full attention. I leave music fans with a ton of great music
and hope it has helped some of the artists I’ve supported over the past six
years. ~ Stewart Brennan
The contents of every music Playlist below can be accessed
by clicking on the 3-line square in the top left hand corner of each YouTube
Video screen. The Play-lists will automatically stream continuously from
whatever point you choose. So sit back and enjoy the music!
Known for dramatic performances as well as subtle, varied
recordings, Seattle experimental rock ensemble Midday Veil combines intense
vocals and cosmic synths with hypnotic rock grooves to produce music that
rewards careful listening and defies easy categorization.
The band began in 2008 as a collaboration between vocalist
and multimedia artist Emily Pothast and classically-trained pianist / analog
synth head David Golightly. In early 2009, Midday Veil's sound was catalyzed by
the addition of prolific multi-instrumentalist Timm Mason on baritone guitar,
bass, and modular synth. Bassist/guitarist Jayson Kochan joined the band in
2011, and in 2012, Garrett Moore replaced original drummer Chris Pollina. Percussionist
Sam Yoder has also performed and recorded as a member.
Midday Veil's debut studio album Eyes All Around (2010) and
ecstatic improvised cassette releases Subterranean Ritual II (2011) and
INTEGRATRON (2012) established the band as a multifaceted entity with roots in
synth pop, psychedelic rock and free improvisation. Produced by Randall Dunn
and featuring artwork by Robert Beatty, Midday Veil's 2013 studio LP The
Current harnessed the experimental intensity of earlier releases with an
intensified focus on songcraft. The Current found its way onto a number of
year-end lists, including a mention by The Wire as one of the top avant-rock
albums of 2013.
In 2014, the band returned to the studio with Randall Dunn
to record its third LP (and first with drummer Garrett Moore) This Wilderness,
was released in September 2015 on Brooklyn-based label Beyond Beyond is Beyond.
A strong live act, Midday Veil has toured the US regularly
since 2009, notably opening for krautrock legends Faust on a Northwest tour in
2012. Festival appearances have included SXSW, Bumbershoot, 35 Denton, Treefort
Festival, Hypnotikon Festival, LA Psych Fest and Vancouver Psych Fest.
The Ghost Ease are a Portland-based indie rock trio with a
dreamy, slightly aggressive sound influenced by '90s alternative rock/grunge as
well as the riot grrrl movement. Their songs are often tense yet calmly paced,
but they also ramp up into a spirited punk fury, and are always propelled by
the unique vocals of lead singer/guitarist/songwriter Jem Marie.
The group started as a home-recording solo project of Marie
in 2010, and became a duo in 2012 when Nsayi Matingou joined on drums. The
Ghost Ease recorded their self-titled debut album during winter of 2012 through
spring of 2013, engineered and mixed by Joey Binhammer, who also contributed
bass to some of the album's songs. Following the album's release on Talking
Helps Records, Fabi Reyna became the group's bassist. Lawrence Vidal replaced
Reyna in 2014. The trio's 7" EP Quit Yer Job, which featured a brooding
cover of M.I.A.'s "Bad Girls," was released by Cabin Games in April of
2015. The Ghost Ease recorded “Raw”, their second album, in Seattle with
producer Steve Fisk, and it was co-released by Cabin Games and K Records in
September of 2015. ~ Paul Simpson
The Ghost Ease revel within the warm folds of a sort of soft
savagery, pin-pricking holes into the fabric of the astral veil, and creating
hypnotic, raw opuses by way of heavy guitars, frenzied drums and lilting vocal
timbres.
Keith Watson is a singer-songwriter from Aberdeen Scotland
better known as “The Awkwards”. Keith plays a variety of music in the folk music
soft rock genres.
“I write mostly acoustic-based songs, do all vocals, play
all parts, and record in a home studio.”
Life’s experiences have been the main source of inspiration
for Keith’s music since his early youth, so it’s a good bet that you’ll find
Keith immersed in his music around the Aberdeen night club scene singing and
playing acoustic guitar if he’s not at home working in his studio on a new
track…and if you tune into BBC Radio Scotland you might also hear a song of his
from time to time.
Some of Keith’s favourite bands are the Shangri-Las, the
Velvet Underground, Black Sabbath, the Smiths, and Everything but the Girl...you
wouldn’t know it by the soft vocals, meaningful lyrics and melodic guitar
playing that embodies most of Keith’s music, which seems more in common with the
likes of Paul Simon and Jim Croce. Either way, listening to Keith’s music is a
pleasure and sure to resonate on an emotional level.
Be sure to pick-up Keith’s music on Bandcamp and while you’re
at it, drop him a line on Facebook.
Hailing from Italy and currently based between there and
Iceland, My Cruel Goro present their debut eponymous EP, released on 24 August
2015.
FOR LOVERS OF: Ash, Arctic Monkeys, The Fratellis, The Hives
and early LIbertines, Dinosaur Jr., Weezer.
There isn’t a more fitting way to announce your band to the
Punk Rock scene than with a song called “Clash”, an energetic attitude fitting
of praise. ~ Stewart Brennan, World United Music
Joe Jackson was born on August 11 1954 in Burton-on-Trent,
England, but grew up in the South Coast naval port city of Portsmouth. A skinny, asthmatic kid, he loved books and
originally wanted to be a writer. At
age 11, though, he joined a school violin class in order to escape the
humiliation of Sports periods in which it was very often him, rather than the
ball, which got kicked. Much to his own surprise, he found himself fascinated
by music and eagerly studying music theory and history.
A couple of years later, Joe had switched to the piano,
mainly because of his new ambition: to be a composer. His first efforts were pieces for piano and small groups of
instruments. Within a few more years,
though, he was writing songs, and leaning more towards the pop world.
At age 16 Joe played his first paying gig, as pianist in a
pub next door to a glue factory just outside of Portsmouth. This was followed by other pub gigs (in
which he was often trying to entertain crowds of drunken, bottle-throwing
sailors) and accompanying a bouzouki player in a Greek restaurant.
At age 18 Joe won a scholarship to study Composition, Piano,
and Percussion at London's Royal Academy of Music. During the three years he spent there, he broadened his horizons
further by working with a Fringe theatre group, studying Jazz with John
Dankworth at the Academy and in the National Youth Jazz Orchestra, and playing
in pop cover bands with names like Edward Bear and The Misty Set. By the time he left the Academy, he was the
co-leader and songwriter of Arms and Legs, a proto-punk outfit which released
two singles on the MAM label before burning out somewhere around 1976.
Joe then took a detour through the Cabaret world, as pianist
and musical director first for the Portsmouth Playboy Club and then for singing
duo Koffee N' Kreme. The main purpose
of this was to save money to make demos of his own songs.
By 1978 Joe was living in London and hawking an album-length
demo, with his own band (Graham Maby, Bass; Dave Houghton, Drums; Gary Sanford,
Guitar) standing by. That demo -
already called Look Sharp -
eventually found its way to American producer David Kershenbaum, who was in
London in the capacity of talent scout for A&M Records. Joe was immediately signed and Look Sharp
more professionally re-recorded in August '78.
The Joe Jackson Band finally started to play regular gigs and the album
was released in January 1979.
1980’s
Joe Jackson's story up to this point is much more fully, fascinatingly,
and hilariously recounted in his book A CURE FOR GRAVITY. From here on, though, it becomes more a
matter of public record. Look Sharp (containing the hit Is She Really Going Out
With Him) was followed within a year by the very similar I'm The Man
(containing the hit It’s Different For Girls) and in 1980 by the darker, more
reggae-influenced Beat Crazy. At the end of 1980, drummer Houghton decided to
quit, and Joe decided to dissolve the band and try something new.
In 1981 Jackson recorded Jumpin' Jive, a 'musical vacation'
paying tribute to Swing and Jump Blues artists such as Louis Jordan and Cab
Calloway. Returning to songwriting, Joe
spent a large chunk of 1982 in New York. The result was Night and Day, a more
sophisticated and melodic record built around keyboards and Latin percussion,
rather than guitars. With a new guitar-less band, Jackson hit the road for a
whole year, and the album became his biggest success, spawning the hit singles
Steppin’Out, Breaking Us In Two and Real Men and going platinum in the US.
During the tour Joe also somehow found time to write his first film score, for
James Bridges' Mike's Murder. (He would
go on to write several more, including most notably for Francis Ford Coppola's
Tucker in 1988).
Now based in NYC, Jackson's next album Body and Soul (1984)
was in a similar vein to Night and Day but featured a horn section (which,
along with the Blue Note-inspired cover art, led many people to wrongly assume
he'd made a jazz record). For Big World (1986) Jackson stripped everything down
to a 4-piece again, and recorded live, direct to 2-track master. In 1989 he
went in the opposite direction with the majestic, semi-autobiographical Blaze
of Glory, and toured with an 11-piece band.
Laughter and Lust (1991) was more like a mainstream (though still
idiosyncratic) rock record, but yet another lengthy world tour left Jackson
exhausted and at a creative dead end. As he sees it, his workaholic phase -
which also included several film scores, a live album (Live 1980-86), an
instrumental album (Will Power, 1987), guest appearances with Suzanne Vega,
Ruben Blades and Joan Armatrading, and endless touring -
was over.
1990’s
Joe's work during the rest of the 1990s was his most
challenging and eclectic: the gentle, soul-searching Night Music (1994), the
ambitious and original song-cycle based on the Seven Deadly Sins, Heaven and
Hell (1997), and the album Joe considers his most underrated, Night and Day II
(2000). The turn of the century saw a burst of creativity: Jackson won his
first Grammy (Best Pop Instrumental Album for the non-traditional,
non-orchestral Symphony No.1) and published his book A Cure For Gravity.
Described by Joe as not an autobiography but ‘a book abut music thinly
disguised as a memoir’, it was well-reviewed and has been translated into
German and Dutch.
2000’s
In 2003 Jackson astonished everyone, including himself, by
re-forming the original Joe Jackson Band for a stunning new album, Volume 4,
and a lengthy tour. The reunion was always intended as a one-off, but it also
produced a live album, Afterlife, in 2004.
By this time Jackson was living mostly back in London. He
made quite a few solo appearances, including on an unusual triple-bill tour
with Todd Rundgren and the string quartet Ethel. He sang and played piano on
Rickie Lee Jones' It's Like That and William Shatner's Has Been (produced,
arranged and co-written by Ben Folds). He made his first film appearance, as a
pub pianist, in The Greatest Game Ever Played, which also features some of his
music. He was also awarded a Fellowship by the Royal Academy of Music and an
Honorary Doctorate by the University of Portsmouth.
Around this time Joe started working with writer Raymond
Hardie and director Judy Dolan on Stoker, a musical theatre project about Bram
Stoker, the creator of Dracula. Though Stoker has been workshopped, performed a
couple of times for small invited audiences, and attracted a lot of interest
from theatre companies around the world, it has yet to find the backing for a
fully-staged production.
In 2006 Joe turned his attention back to pure songwriting
and did a short Trio tour with Graham Maby and Dave Houghton. Having failed to
happily re-establish himself in London, he moved to Berlin, where his next
album Rain was recorded in 2007. Consisting of ten powerful, timeless new
songs, Rain creates a surprisingly epic sound with just voices, piano, bass and
drums. The trio toured for the next three years, and played more shows than any
other J J lineup, including Joe’s first visits to Mexico, Israel, Croatia, the
Czech Republic, South Africa and Turkey. A live album, Live Music, was released
in 2011.
2010’s
Joe Jackson’s most recent project is a tribute to one of his
greatest musical heroes, Duke Ellington. The Duke is an often radical re-interpretation
of fifteen Ellington classics, arranged into ten tracks, and featuring an
eclectic roster of guest artists including Iggy Pop, Ahmir ‘Questlove’ Thompson
and other members of The Roots, Sharon Jones, Steve Vai, and jazz violin star
Regina Carter, who joined Joe on the subsequent tour.
Jackson is currently living in Berlin but returns frequently
to both New York and Portsmouth. He just released his latest album "Fast Forward" in Oct., 2015.
